Church of England -- Clergy -- Biography; Jessopp, Augustus, 1823-1914; Rural churches -- England
On this particular morning we had adjourned from the library to the
breakfast-room, and were opening our letters in high spirits, spite[6]
of Nathan the wise, and notwithstanding the bitter wind and the snow,
when a hideous sound startled us. There, under the window, the snow
steadily falling, drawn up in single file, were four human creatures,
two males and two females, arrayed in outlandish attire, and every one
of them playing hideously out of tune. It was a German band!
A more lugubrious spectacle than is presented by a German band, droning
forth “Herz, mein Herz” in front of your window in a snowstorm it
would be difficult to imagine. We suffer much from German bands, but
we have only ourselves to thank. I love music, and I am possessed
by the delusion that it is my duty to encourage the practice of
instrumental execution. Five or six years ago there was a band of
eight or nine performers who perambulated Norfolk, and they came to me
at least once a month. Whenever they appeared I went out to them and
gave them a shilling, airing my small modicum of German periodically,
and receiving flattering compliments upon my pronunciation, which
gratified me exceedingly. These people disappeared at last, but they
were succeeded by another band, and a very inferior one, and I took
but little notice of them. There were seven of these performers, a
cornet and two clarionets being prominent--very. However, they got
their shilling, and vanished. Three days after their departure came
another band: this time there were only four. I thought that rather
shabby, but I was busy, did not take much notice of them, and again
gave them a shilling. The cornet player was really quite respectable.
Next day came four more, and there was no cornet, only the abominable
clarionet. It was insufferable. I said I really must restrict myself
to sixpence, and that was fourpence more than they were worth. Two
days after their departure came a single solitary performer; he had a
pan-pipe fastened under his chin, a peal of bells on his head, which
he caused to tinkle by his nods, a pair of cymbals attached to his
elbows, a big drum which he beat by the help of a crank that he worked
with one of his feet, and a powerful concertina which he played with
his hands. He led off with a dolorous chorale in a minor key. It was
really more than flesh and blood could bear. “Send him away, Jemima.
Send him away!--instantly! Tell him I am _sehr krank_. Send him away!”
The fellow smiled with unctuous complacency. But when he got only
twopence, his face fell. “Ach, nein! You plaize, ze professor, he geeve
one sheeling to ze band--I am ze band. He geeve ze band only twopence.
He do not understand I am ze band! You plaise tell him I am ze band!”
“No! You’re to go away. Master’s sore and kranky!” Ze band loitered
for half a minute; then it took itself to pieces and went its way. But
the fellow’s hint about the shilling was significant, and led to an
investigation.
Public-domain text, read in full here on John Shaqi.
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