Church of England -- Clergy -- Biography; Jessopp, Augustus, 1823-1914; Rural churches -- England
I am often asked, When was this or that church built? And my answer
is ready at hand. It was not built at all! It grew! For every church
in the land that has a real history is a living organism. Do you tell
me that yonder doorway is of the twelfth century; that yonder tower
may have stood where it does when the Conqueror came to sweep away
“pot-bellied Saxondom;” that the chancel was rebuilt in the time of
the Edwards--the rood screen crowded into a place never meant for
it during the Wars of the Roses, the pulpit supplied by a village
carpenter in the sixteenth century, the carvings of the roof destroyed
in the seventeenth, the royal arms supplied in the eighteenth, and
therefore that nothing but a clean sweep is to be made of it all, as
a preliminary to building it all up from the ground in the nineteenth
century? Do you call that restoration? You assure me that you will
faithfully and religiously copy the old. Why that is exactly what you
can’t do! You can’t copy the marks of the axe on early Norman masonry.
You can’t copy Roman brickwork; you daren’t copy Saxon windows that
let the light in through oiled canvas in the days when sacredness, and
mystery, and a holy fear were somehow associated with the presence of
dimness and darkness and gloom. You can’t restore ancient glass: the
very secret of its transcendent glories lies in the imperfection of
the material employed. Nay, you can’t even copy a thirteenth-century
moulding or capital: you can’t reproduce the carvings you are going
to remove--you have no eye for the delicate and simple curves: your
chisels are so highly tempered that they are your masters, not your
servants: they run away with you when you set to work and insist on
turning out sharply cut cusps, all of the same size, all of them
smitten with the blight of sameness, all of them straddling, shallow,
sprawling, vulgar, meaningless; melancholy witnesses against you that
you have lost touch with the living past. You can make the loveliest
drawings of all that is left, but the craftsmen are gone. There’s where
you fail; you say this and that ought to be done, and this or that
is what I mean; but when you expect your ideas carried out then you
utterly fail.
Public-domain text, read in full here on John Shaqi.
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