The tribes and castes of the North-Western Provinces and Oudh, Volume 2 (of 4)Crooke, William
History
The tribes and castes of the North-Western Provinces and Oudh, Volume 2 (of 4)
Crooke, William
Caste -- India -- History; Hindus -- India; Tribes -- India -- History
3. “The followers of Charan Dâs are both clerical and secular; the
latter are chiefly of the mercantile order, the former lead a mendicant
and ascetic life, and are distinguished by wearing yellow garments, and
a single streak of sandal or gopichandana down the forehead; the
necklace and rosary are of Tulasi beads. They wear also a small,
pointed cap, round the lower part of which they wrap a yellow turban.
Their appearance in general is decent, and their deportment decorous;
in fact, though they profess mendicity they are well supported by the
opulence of their disciples. It is possible, indeed, that this sect,
considering its origin and the class by which it is professed, arose
out of an attempt to shake off the authority of the Gokulastha Gusâîns.
The authorities of the sect are the Sri Bhâgwat and Gîta, of which they
have Bhâsha translations; that of the former is ascribed, at least in
parts, to Charan Dâs himself; he has also left original works, as the
Sandeha Sâgar and Dharma Jihâj, in a dialogue between him and his
teacher, Sukhdeva, the same, according to Charan Dâsis, as the pupil of
Vyâsa and narrator of the Purânas. The first disciple of Charan Dâs was
his own sister, Sahaji Bâi, and she succeeded to her brother’s
authority as well as learning, having written the Sahaj Prakâsh and
Solah Tat Nirnâya. They have both left many Sabdas and Kavits. Other
works in Bhâsha have been composed by various teachers of the sect. The
chief seat of the Charan Dâsis is at Delhi, where is the Samâdh or
monument of the founder. This establishment consists of about twenty
resident members. There are also five or six similar Mathas at Delhi
and others in the upper part of the Duâb, and their numbers are said to
be rapidly increasing.”
Public-domain text, read in full here on John Shaqi.
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