Charles-Norton rose and stood above her. Dolly was weeping this time,
truly weeping, beyond the slightest doubt, openly and freely. This was
the end; he was cornered at last, his last twisting over. She wept there
in an abandonment of woe, her face in her arms, her hair desolate on the
surface of the table, her shoulders palpitating. And as he gazed down
upon her, a great, vague mournfulness slowly rose through him, a
mournfulness part regret, part sacrifice; he stood there gazing down
upon her as a child gazing down on a broken toy, a broken toy in the ruin
of which lay the ruin of his dreams. She wept; and he felt as if a
wreath, a wreath soft and flowery but very heavy, had fallen about his
neck and were drawing him down, down out of the altitudes of his will.
And so, gently, he asked the question, the answer of which he knew, the
asking of which was renunciation.
"Dolly, Dolly," he whispered; "what is the matter, Dolly?"
"Ooh, ooh, ooh," sobbed Dolly; "ooh, Goosie, I can't--can't eat
pine-nuts, Goosie! I can't!"
Her shoulders shook, the table trembled, her wail rose to a perfect
little whistle of woe. Charles-Norton sat down by her and took her in his
arms. "Well, we won't have to, Dolly," he said gently; "us won't have to.
We--we'll go back!"
They remained thus long, entwined, while little by little the violence of
Dolly's despair moderated. At length she freed herself, with a smile like
the sunlight of an April shower, and still with a little catch in her
throat, took the lamp from the table and set it on the sill of the
western window.
Half an hour later there was a knock at the door.
CHAPTER XVII
After a moment of indecision, during which Dolly, rosy with excitement,
was hurriedly rearranging her disordered apparel, Charles-Norton, picking
up the lamp, strode to the door and opened it. His lips were unable to
hold a short exclamation of surprise. For, framed in the door-way, here
stood the mysterious stranger whom twice he had caught watching him in
the meadow.
He stood there, very tall, soft hat in hand, his white hair and cavalier
mustachios shining softly in the rays of the lamp, the fringes of his
buckskin garments all aglitter with the cold; above his right shoulder
there peered affectionately the white face of his horse, the vague loom
of whom could be divined behind in the night. He placed his right foot
upon the lintel, and to the movement his long spur tinkled in a single
silver note. "May I come in?" he asked gravely.
"Why, yes; why, yes," exclaimed Charles-Norton, recovering from his
momentary petrifaction; "come in, make yourself at home, have a chair,
have a seat!"
Public-domain text, read in full here on John Shaqi.
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