"Fill up, Blachland," said his host, pushing over a large bladder
tobacco-pouch. "Where's my pipe? No--not that one. The deep one with
the wire cover."
"I've got it, father," cried Lyn. "I'm filling it for you."
"Thanks, darling," as she brought it over. "You know, Blachland, my
after-supper pipe never tastes so good unless this little girlie fills
it for me. She's done so ever since she was a wee kiddie so high."
Blachland smiled to himself, rather sadly, as he watched the long
tapering fingers pressing down the tobacco into the bowl, and wondered
how his friend would feel when the time came--and come it must, indeed
any day might bring it--when he would have no one to render this and a
hundred and one other little services of love, such as he had noticed
during his stay--when Bayfield should be left lonely, and the bright and
sweet and sunny presence which irradiated this simple home should be
transferred to another. Somehow the thought was distasteful to him,
vaguely, indefinably so, but still distasteful.
Meanwhile Lyn had opened the piano, and after an appeal to them for any
preference in the way of songs, which was met by an assurance that any
and all were equally acceptable, had begun singing. The two men sat
back in their armchairs at the further end of the room, listening in
supremest content. From the first Blachland had excused himself from
attending her at the piano. He wanted thoroughly to enjoy her
performance, which he could not do standing fussing around, and Lyn had
appreciated the real and practical compliment thus conveyed. And he did
enjoy it. Song after song she sang, now grave and pathetic, now gay and
arch, and it seemed to him he could sit there listening for ever. Hers
was no concert-hall voice, but it was very sweet and true, and was
entirely free from mannerism. She did not think it necessary to roll
her r's in the approved professional style whenever that consonant came
at the end of a word, or to pronounce "love" exactly according to its
phonetic spelling, but every word was enunciated distinctly, and
therefore as intelligible as though she had been talking. In short, her
singing was utterly without self-consciousness or affectation, and
therein lay no small a proportion of its charm.
"There! That's enough for one night!" she cried at last, closing the
instrument.
"Not for us," declared Blachland. "But you mustn't overstrain your
voice. Really to me this has been an immense treat."
"I'm so glad," said the girl brightly. "I suppose, though, you don't
hear much music up-country. Don't you miss it a great deal?"
Public-domain text, read in full here on John Shaqi.
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