The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
The return which Henry received for this highest mark of confidence
was the claim on the part of his son to be put in immediate possession
either of Normandy or of England. The refusal of this outrageous demand
became the cause of animosities between father and son. Eleanor fanned
the flames of discord, and it seems to have been by her advice mainly
that young Henry at last broke into open rebellion. He fled from his
father’s court at Limoges and took refuge with the King of France at St.
Denis, where three days afterwards he was joined by his two brothers
Richard and Geoffrey. The war which ensued was carried on by both sides
with atrocious brutality, not even relieved by bold exploits of arms.
The name of the hirelings enlisted by the King of England—Brabançons,
from Braband, the country of many of their number—has become a bye-word
in history, and the utter want of filial piety, or indeed of any higher
motive, on the part of the young princes is at once revolting and
astonishing. More than once during his repeated wars with his sons the
King’s life was attempted, and on one occasion when he was going to
a parley with young Henry he was received by a shower of arrows and
slightly wounded. Sons who thus disregarded the demands of natural
affection could not be expected to be more scrupulous where their country
was concerned. Patriotism, more especially English patriotism, never was
the strong side of the Plantagenets. In consequence the young princes did
not hesitate for a moment to barter away some of the fairest portions
of England for promises of assistance from the King of Scotland and the
Earl of Flanders, and it was only by Henry’s energy and good fortune that
these disgraceful bargains were frustrated. The war dragged on till
1174, and ended with a semblance of reconciliation; Richard being the
last to submit to his father.
It was necessary to dwell to this extent on these circumstances in order
to gain a background for our centre-figure the Troubadour. There is no
direct evidence that Bertran de Born took a prominent part in the first
rebellion of the English princes, neither do any of his warlike songs
seem to refer to it. But even in case his youth or other circumstances
prevented him from being an actor in the events just described, he was
sure to be an eager spectator. Soon afterwards we see him in the thick
of the fight. He seems to have been on terms of intimacy with the three
elder sons of Henry, as is proved by the familiar nicknames by which
he addresses them. Young Henry he used to call ‘Marinier’ (seaman), an
interesting fact which shows that a sailor-prince in the Royal family
is not altogether a modern invention. Geoffrey, by marriage Duke of
Brittany, was ‘Rassa,’ a name without any distinct meaning to us;
and Richard ‘Oc e no,’ that is ‘Yes and no,’ which might pass for an
indication of straightforward and plain dealing, or, indeed, of the
reverse, according to the terms on which prince and poet happened to be.
Public-domain text, read in full here on John Shaqi.
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