The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
It seems, however, that although unwilling to grant him any favour,
the fair Azalais was extremely jealous of the poet’s praise. This, at
least, would appear from an anecdote in the manuscript. Count Barral
had two sisters residing at his court, with whom Folquet lived on terms
of intimate friendship. But his mistress did not believe in Platonic
relations between troubadours and young ladies at court. Her jealousy
fixed on one of her sisters-in-law, the lady Laura, of whom she declared
Folquet to be enamoured. She refused to see her lover again, ‘and would
have no more of his prayers and fine words,’ as the biographer naïvely
adds. Folquet was in despair; ‘he left off singing and laughing, for
he had lost the lady whom he loved more than the whole world for one
with whom he had no connection beyond courtesy.’ This assertion of the
manuscript deserves our belief. It is quite possible, and indeed seems
indicated by a passage in one of his songs, that Folquet affected a
tender feeling for Laura in order to divert the attention of spies, but
his real passion was all for Azalais. His songs and his conduct leave no
doubt on the subject. It is an open question whether the intercession
of a noble lady sought by Folquet obtained him the full pardon of his
mistress. But certain it is that he remained invariably attached to
her through good and evil report. For misfortune was in store for the
countess. Barral, for some reason or other, got tired of his wife,
obtained an invalidation of his marriage, and wedded another lady.
Folquet’s position was difficult. The count was his oldest friend and
protector, whom he loved sincerely, as is proved by the beautiful elegy
on his death, which ensued soon afterwards. But no considerations of
worldly prospects or friendship could shake his allegiance to the lady of
his love. We possess songs dedicated to her subsequent to the separation,
in one of which, written the year after Barral’s decease, the praise of
the count is, curiously enough, addressed to his divorced widow. Perhaps
the great peacemaker Death had taken the sting from her resentment, and
the pair loved to linger over the memory of the departed.
Public-domain text, read in full here on John Shaqi.
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