The TruantsMason, A. E. W. (Alfred Edward Woodley)
General
The Truants
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
There are two cities of Fez. One is the city of the narrow, crowded
streets, where the cry, "Balak! Balak!"[1] resounds all day. Streets,
one terms them, since they are the main thoroughfares through which
all the merchandise of Morocco passes out to the four quarters of the
compass; but they are no wider than the alley-ways of an English
village, and in many places a man may stand in the centre and touch
the wall on either side. These streets are paved with big
cobblestones, but the stones are broken and displaced by the tramp of
centuries. If mended at all, they are mended with a millstone or any
chance slab of rock; but for the most part they are left unmended
altogether. For that is the fashion in Morocco. There they build and
make, and they do both things beautifully and well. But they seldom
finish; in a house, dainty with fountains and arabesques and coloured
tiles, you will still find a corner uncompleted, a pillar which lacks
the delicate fluting of the other pillars, an embrasure for a clock
half ornamented with gold filagree, and half left plain. And if they
seldom finish, they never by any chance repair. The mansion is built
and decorated within; artists fit the tiles together in a mosaic of
cool colours, and carve, and gild, and paint the little pieces of
cedar-wood, and glue them into the light and pointed arches; the rich
curtains are hung, and the master enters into his possession. There
follows the procession of the generations. The tiles crack, the
woodwork of the arches splits and falls, and the walls break and
crumble. The householder sits indifferent, and the whole house
corrodes. So, in the narrow streets, holes gape, and the water wears a
channel where it wills, and the mud lies thick and slippery on the
rounded stones; the streets ran steeply up and down the hills, wind
abruptly round corners, dive into tunnels. Yet men gallop about them
on their sure-footed horses, stumbling, slipping, but seldom falling.
"Balak!" they cry. "Balak!" and the man on foot is flung against the
wall or jostled out of the way. No one protests or resents.
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[Footnote 1: "Take care!"]
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A file of donkeys, laden with wood or with grain, so fixed upon their
backs that the load grazes each street wall, blocks the way. "Balak!"
shouts the donkey-driver. And perhaps some nobleman of Fez, soft and
fat and indolent, in his blue cloak, who comes pacing on a mule no
less fat, preceded by his servants, must turn or huddle himself into
an embrasure. There are no social distinctions in the alley-ways of
Fez. It may be that one of those donkeys will fall then and there
beneath his load, and refuse to rise. His load will be taken from his
back, and if he still refuse, he will be left just where he fell, to
die. His owner walks on. It is no one's business to remove the animal.
There he lies in the middle of the street, and to him "Balak" will be
called in vain.
Public-domain text, read in full here on John Shaqi.
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