Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
“Exactly, Sue. There's a fanatical strain in you. You came into
the Village life fresh from college with a whole set of brand-new
enthusiasms. Fanatical enthusiasms. The attitude toward life that most
of us take for granted--like it, feel it, just because it is us--you
came at us like a wild young Columbus. You hadn't always believed it.”
“I always resented parental authority,” said she. “Yes, I know. I'm not
sure your revolt wasn't more a personal reaction than a social theory.
They tried to tie you down. Your father--well, the less said about him
the letter. Preaching that old, old, false stuff, commercializing it,
stifling your growth.”
“Don't let's discuss him, Jacob.”
“Very good. But the home was a conspiracy against you. His present wife
isn't your mother, you told me once.”
“No, she isn't my mother.”
“Well”--he paused, thinking hard--“look here, Sue, what in thunder are
you to do! You're no good without that mainspring, that faith.”
She was silent, studying the table between them--silent, sober, not
hostile. Life was not a joyous crusade; it was a grim dilemma. And an
insistent pressure. She knew this now. The very admiration she felt for
this strong man disarmed her in resisting him. He told the bald
truth. She had fought him away once, only to involve herself with the
impossible Peter; an experience that now left her the weaker before
him. He knew this, of course. And he was a man to use every resource
in getting what he wanted. There was little to object to in him, if you
accepted him at all. And she had accepted him. As in a former crisis
between them, he made her feel a coward.
“It brings me back to the old topic, Sue. I could help you, if you could
let me. You have fought love down. You tried to compromise on marriage.
Nothing in that. Better live your life, girl! You've got to keep on. You
can't conceivably marry Peter; you can't drift along here without a
spark alight in you, fighting life; you can't go back home, licked. God
knows you can't do that! Give me a chance Sue. Try me. Stop this crazy
resistance to your own vital needs. Damn it, be human!”
Sue, lips compressed, eyes misty, color rising a little, looked up,
avoided Zanin's eyes; gazed as he had been doing, about the room. And
coming in through the wide door she saw the long figure of Henry Bates,
whom friends called the Worm. She watched him, compressing her lips a
little more, knitting her brows, while he stood looking from table to
table. His calm face, unassertive, reflective, whimsical in the slight
squint of the eyes, was deeply reassuring. She was fond of Henry Bates.
He came across the room; greeted Zanin briefly; gripped Sue's hand.
“Sit down, Henry,” said she.
He stood a moment, considering the two of them, then took the chair a
waiter slid forward.
“I'm here on a curious mission, Sue,” he said. She felt the touch of
solemnity in his voice and gave him a quick glance. “I've been sent to
find you.”
Public-domain text, read in full here on John Shaqi.
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