Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
The best way to get out, in fact the only way now, was through the
adjoining room to the door under the front steps. Certainly he couldn't
go up-stairs. There might be trouble on the Avenue if the Worm should
see him coming out. For a moment he even considered swallowing down all
this outrageous emotional upheaval within him and staying there. He had
said that Sue would send for him. During ten or twelve seconds out of
every sixty he firmly believed she would. It was so in his plays--let
the heartless girl, in her heyday, jilt a worthy lover, she was sure in
her hours of trial to flee, chastened, to his arms.
But he looked again at the back of Sumner Smith. It was a solid back.
It suggested, like the man's inscrutable round face, quiet power. Peter
decided on flight via that front door.
He moved slowly across the room. Then he heard a voice that chilled his
hot blood.
“Mann,” said this voice.
He turned. One or two men glanced up from their papers, then went on
reading.
Peter stood wavering. Sumner Smith's eye was full on him from the
barroom door; Sumner Smith's head was beckoning him with a jerk. He
went.
“What'll you have?” he asked hurriedly, in the barroom.
“What'll I have?” mimicked Sumner Smith in a voice of rumbling calm.
“You're good, Maun. But if anybody was to buy, it'd be me. The joke, you
see, is on me. Only nobody's buying at the moment. You send me out--an
_Evening Earth_ man!--to pull off a murder for the morning papers. Oh,
it's good! I grant you, it's good. I do your little murder; the morning
papers get the story. Just to make sure of it you send Jimmie Markham
around after me. It's all right, Mann. I've done your murder. _The
Continental's_ getting the story now--a marvel of a story. There's a
page in it for them to-morrow. As for you--I don't know what you are.
And I don't care to soil any of the words I know by putting 'em on you!”
Even Peter now caught the rumble beneath the calm surface of that voice.
And he knew it was perhaps the longest speech of Sumner Smith's eventful
life. Peter's stomach, heart, lungs and spine seemed to drop out of his
body, leaving a cold hollow frame that could hardly be strong enough to
support his shoulders and head. But he drew himself up and replied with
some dignity in a voice that was huskier and higher than his own:
“I can't match you in insults, Smith. I appear to have a choice between
leaving you and striking you. I shall leave you.”
“The choice is yours,” said Smith. “Either you say.”
“I shall leave you,” repeated Peter; and walked, very erect, out to the
side street.
Public-domain text, read in full here on John Shaqi.
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