Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
His pipe usually helped. He felt for it. It was not in the right-hand
coat pocket where he always carried it. Which fact startled him. Then
he found it in the left-hand pocket. Not once in ten years before this
bitter hour had he misplaced his pipe. “My God,” he muttered, “haven't
I even got any _habits!_” He was unnerved. “Like Pete,” he thought, “but
without even Pete's excuse.”
He lighted his pipe, puffed a moment, stood erect, drew a few deep
breaths, then drove himself at the task of packing the things that were
in the bureau. And a task it was! Nothing but the strong if latent will
of the man held him to it. There were soft white garments the like of
which his hands had never touched before. Reverently, if grimly, he laid
them away in the upper trays of the trunk. In the bottom drawer were
Sue's dancing costumes--Russian and Greek. Each one of these brought a
vivid picture of the girl as she had appeared at the Crossroads; each
was a stab at Henry Bates' heart. At the bottom, in the corner, were a
pair of red leather boots, very light, with metal clicks in the heels.
He took them up, stood motionless holding them. His eyes filled. He
could see her again, in that difficult crouching Russian step--her
costume sparkling with color, her olive skin tinted rose with the
spirited exercise of it, her extraordinary green eyes dancing with the
exuberant life that was in her. Then, as if by a trick shift of scene,
he saw her in a bare kitchen, wearing a checked apron, kneeling by a
stove. The tears brimmed over. He lifted the little red boots, stared
wildly at them, kissed them over and over.
“My God!” he moaned softly, “oh, my God!”
There was a faint smell of burning. His pipe lay at his feet, sparks
had fallen out and were eating their way into the matting. He stepped on
them; then picked up the pipe and resolutely lighted it again. The boots
he carried into the living-room; found an old newspaper and wrapped them
up; laid the parcel by his hat and coat in the hall.
He found a strap in the kitchen closet and strapped the trunk. There was
a suit-case that he had filled; he closed this and laid it on the trunk.
Then he turned all the lights off and stood looking out the open window.
He had had no dinner--couldn't conceivably eat any. It was evening now;
somewhere between eight and nine o'clock, probably. He didn't care.
Nothing mattered, beyond getting trunk and suit-case off to Sue before
too late--so that she would surely have them in the morning. The sounds
of evening in the city floated to his ears; and he realized that he had
not before been hearing them. From an apartment across the area came the
song of a talking machine. Blowsy women leaned out of rear windows and
visited. There was a faint tinkle from a mechanical piano in the corner
saloon. He could hear a street-car going by on Tenth Street.
Then another sound--steps in the corridor; the turning of a knob;
fumbling at the apartment door.
Public-domain text, read in full here on John Shaqi.
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