Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
“Why, then, I come along. And I'm the last straw. Stirring up the old
turbulence just when you need my friendship most. I'm doing it now--this
minute. I'm hurting you. I'm making you feel that you've lost me.”
“Henry”--he saw the effort it cost her to speak and winced--“I can't
bear to seem unsympathetic with you. But it's so hard. I can't see any
way--except this of giving up self.”
He let go her shoulders, swung away, and said: “There's just one thing
to do. I'll call a taxi.” He moved to the telephone, rummaged through
the directory, still talking, the flood of feeling that had for months
been impounded within his emotionally inarticulate self rushing now past
all barriers, sweeping every last protesting reticence before it. “I do
understand, Sue. What you feel now is as deep an urge, almost, as this
old sex impulse that muddles life so for all Of us. It is what has
driven millions of women into nunneries--to get away from life. Just
as our Village freedom is a protest against, unhealthy suppression and
rigidity, so these fevers of self-abnegation are inevitable uprushings
of protest against animalism.” He had found the number now. He lifted
the receiver. “It's Puritan against Cavalier--both right and both wrong!
What number--Oh, I beg your pardon! Bryant six thousand. It's the Greeks
against the Greatest of Jews--both right--both wrong! Taxi, please!
Right away. Two-thousand-twenty-six Tenth Street. All right. Good-by.
Beauty against duty--the instinct to express against the instinct to
serve--both right, both wrong!”
He confronted her again; caught up her two hands and gripped them within
his own. “You've had your little fling at expression, Sue. You were
wonderful. You've set flowers growing in our hearts, and thank God for
flowers! But life has trapped, you. You've swung over to service. And
now you've got to go through, work your way out of it. God knows where
you'll land. But if you've counted on my steadiness, by God, you may
continue to count or it!”
He pressed her hands to his lips; kissed her knuckles, her fingers, her
palms; then dropped them.
Sue sank into the armchair, very white. The tears ran down her cheeks.
The Worm could not look at her; after a moment of aimless pacing, he
went out to the front steps of the building and, bareheaded, still
coatless, watched for the taxi. He helped carry out the big trunk. On
the ride to the ferry he spoke only trivialities, and Sue spoke not at
all. He did not cross the river with her; merely, there in the ferry
house, gripped her hand--smiling after a fashion, limp of spirit (for
the first great emotional uprush of his life seemed to have passed like
a wave) and said:
“Good night, Sue. You'll let me help?”
“Of course. Henry.”
“I'll sublet the place for you--to somebody. I'll take that on myself.”
She considered this, then soberly inclined her head. “This is the key,
Henry. Give it to Betty. And here's the key to the outer door.”
Public-domain text, read in full here on John Shaqi.
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