Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
The Worm suggested thick mutton chops and the hugely delectable baked
potatoes without which Jim's would not have been Jim's. Sue smiled
rather wanly and assented. Her air of depression disturbed him; his own
buoyancy sagged; he found it necessary now and then to manufacture talk.
This was so foreign to the quality of their friendship that he finally
laid down his knife and fork, rested his elbows on the table and
considered her.
“Sue,” he remarked, “it's getting to you, isn't it--the old Village.”
She tried to smile, and looked off toward the glowing grill.
“Why don't you come around and have a look at the rooms? I haven't
changed them. Only your pictures are gone. Even your books are on the
mantel where you used to keep them. It might hook things up for us,
so we could get to feeling and talking like ourselves. What do you
say--could you stand it?”
She tried to look at him, tried to be her old frank self; but without
marked success. The tears were close. She had to compress her lips and
study the table-cloth for a long moment before she could speak.
“I couldn't, Henry.” Then with an impulse that was more like the Sue
that he knew, she reached out and rested her hand on his arm. “Try not
to mind me, Henry. I can't help it--whatever it is. I don't seem to have
much fight left in me. It's plain enough that I shouldn't have tried to
come in. It was just a crazy reaction, anyway. You caught me when I had
been hurt. I was all mixed....”
She was excluding him from her little world now; and this was least like
her of all the things she had been saying and doing. But if the Worm was
hurt he did not show it. He merely said:
“Sue, of course, you've been going through a nervous crisis, and it has
taken a lot out of you.”
“A lot, Henry,” she murmured.
“One thing strikes me--superficial, of course--I doubt if you've had
enough exercise this summer.”
“I know,” said she. “To-day I tried a few steps--that--old Russian
dance, you know--”
“I'd love to see you do it, Sue.”
She shook her head. “I've lost it--everything.”
“You were stiff, of course.”
“It was painful. I just couldn't dance. I don't like to think of it,
Henry.”
He smiled. “One thing--I've decided to make you walk to the theater.
It's two miles. That'll stir your pulse a bit. And we'll start now.”
She looked soberly at him. “You've lost nothing, Henry. The work you've
done hasn't taken it out of you.”
“Not a hit. On the contrary, Sue.”
“I know. I feel it.”
“No more of the old aimlessness, Susan. No more books--except a look at
yours now and then, because they were yours. God, girl, I'm creating!
I'm living! I'm saying something. And I really seem to have it to say.
That's what stirs you, puts a tingle into your blood.”
She studied him a moment longer, then lowered her eyes. “Let's be
starting,” she said.
“Up Fifth Avenue, Sue?”
“Oh, yes, Henry!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account