Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
Opposite one of these the Worm took Sue's arm, very gently, and halted
her on the curb. The evening throng brushed past, heedless of the simply
dressed girl who yet was oddly, boyishly slim and graceful of body, and
who was striking of countenance despite the weariness evident about
the rather strongly modeled mouth and the large, thoughtful green eyes;
heedless, as well, of the lank, shabbily dressed young man who held
her arm and bent earnestly over her. They were atoms in the careering
metropolis, uncounted polyps in the blind, swarming, infinitely
laborious structure that is New York. And they thought themselves, each,
the center of the universe.
“Sue, dear,” said he, “here we are. You're about to see yourself. It
will be an experience. And it won't be what you're thinking and--yes,
dreading. I've seen it--”
She glanced up in surprise.
“Last night--an exhibition to the newspaper men.” The emotion in his
voice was evident. She glanced up again, something puzzled. “It was
last night--afterward--that I decided on bringing you in. I wouldn't for
anything in the world have missed having you here to-night. Though,
at that, if Mr. Greatest Publisher hadn't warmed my soul with that
wonderful blast of hot air I probably shouldn't have had the nerve. Of
course I knew it would be an ordeal. It's been on my conscience every
minute. But I had to bring you, and I believe you'll understand why, two
hours from now. I'm hoping you will, Sue.”
He hesitated. She waited. Suddenly then, he hurried her across the busy
street and into the dim shelter of the gallery entrance.
“Zanin was out in front,” said he, “With some of the newspaper boys, but
I got you by.”
Many individuals and groups were detaching themselves from the endless
human stream and turning in between the six-foot lithographs at the
main entrance to the theater. More and more steadily as Sue and the Worm
stood in the shadow of the lesser doorway they had chosen, the crowds
poured in. Others were turning in here toward the gallery and tramping
up the long twisting stairway.
“Big house!” chuckled the Worm. “Oh, they'll put it across, Sue. You
wait! Zanin's publicity has been wonderful. It would have disturbed you,
girl--but it's rather a shame you haven't followed it.”
Sue seemed not to hear him. She was leaning out from the doorway, trying
to make out the subjects of the two big lithographs. She finally slipped
across to the curb and studied them a moment. Both were of herself,
half-clad in the simple garment of an island savage; over each picture
was the one word, “NATURE,” under each the two words, “SUE WILDE.”
She hurried back and started up the stairs. The Worm saw that she was
flushing again and that her mouth wore the set look.
On a landing, holding her back from a group ahead, he said: “Do you
know, Sue, part of the disturbance you feel is just a shrinking from
conspicuousness, from the effective thing. Self-consciousness! Isn't it,
now?”
But she turned away and kept on.
Public-domain text, read in full here on John Shaqi.
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