Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
She spoke again. “Don't you see, Henry, that's what makes this miserable
business worth while, that's what justifies it--all this posing before
those camera people, working with hired actors that don't for a moment
know what it's all about and don't understand my being in it or my
relations with Peter or the friendly feeling I have for Zanin--it's
getting so I have to fight it out with myself all over again every
morning to get through it at all. But when I'm almost hopelessly stale
all I have to do is come home here and shut the door and curl up on the
couch and read the thing as Peter wrote it--it brings the vision back,
Henry!--and then I think of him staking all his savings to make it a
success--Oh, I know that's personal, just for me...”
Sue was having some trouble with sentences today. This one didn't get
finished either. She stood there brooding; started another one: “Henry,
Zanin couldn't do it--with all his intelligence and drive--it took
Peter to phrase Zanin's own ideas and then add the real quality to them
and form and human feeling--Zanin is cold, an intellectualist not an
artist.” Suddenly she broke out with this--“Of course this marriage means
a long series of adjustments. Do you suppose I don't know that? Doesn't
every marriage?”
The Worm was silent; smoking slowly and watching her. He was thinking
very soberly. “Whom among women the gods would destroy they first make
honest.”
Sue felt his gaze and raised her chin with a little jerk; tried to
smile; finally caught up the box of roses and buried her face in them.
“Peter oughtn't to spend the money,” she cried, not unhumorously, “but
it is dear of him. Every time I come into the room the flowers sing to
me.”
“After all,” said he, helping her out, “it's a relief, in these parts,
to see some one taking marriage seriously. Date set yet?”
She nodded.
“Not telling?”
She shook her head.
“Soon?”
She nodded. “That's all. No more questions.”
“Religious ceremony?”
“Hardly, Henry.” She was a thought grim about this.
“You can be as rationalistic as you like,” said he, musing, “but
marriage _is_ a fairy story. Like the old-fashioned Christmas with tree
and candles and red bells--yes, and Santa Claus. You can't rationalise
love, and you can't casualize it. Not without debasing it. Love isn't
rational. It is exclusive, exacting, mysterious. It isn't even wholly
selfish.” His tone lightened. “All of which is highly heterodox, here on
Tenth Street.”
She smiled faintly and busied herself over the teakettle.
“I'm glad to see that Zanin keeps friendly, Sue.” She sobered, and said:
“There, it's boiling.” The bell sounded again--two short rings, a pause,
one long ring.
She started, bit her lip. “That's Zanin now,” she said. “He hasn't been
here since--” She moved toward the door, then hesitated. “I wish you
would--”
She bit her lip again, then suddenly went. He heard the door open and
heard her saying: “Henry Bates is here. Come in.”
Public-domain text, read in full here on John Shaqi.
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