He parked his car by the road, and walked through the great stone gates.
The palatial residence was illumined from top to bottom, its windows
great squares of gold against the night. The door stood open, but except
for a servant or two there was no one in the wide hall. The guests were
dancing in the ballroom at the back, and George caught the lilt of the
music as he skirted the house, then the sound of voices, the light
laughter of the women, the deeper voices of the men.
The little balconies, lighted by the yellow lanterns, were empty. As
soon as the music stopped they would be filled with dancers seeking the
coolness of the outer air. He stood looking up, and suddenly, as if the
stage had been set, Becky stepped out on the balcony straight in front
of him, and stood under the yellow lantern. The light was dim, but it
gave to her white skin, to her lace frock, to the pink fan, a faint
golden glow. She might have been transmuted from flesh into some fine
metal. George had not heard the Major's name for her, "Mademoiselle
Midas," but he had a feeling that the little golden figure was
symbolic--here was the real Golden Girl for him--not Madge or any other
woman.
Randy was with her, back in the shadow, but unmistakable, his lean
height, the lift of his head.
George moved forward until, hidden by a bush, he was almost under the
balcony. He could catch the murmur of their voices. But not a word that
they said was intelligible.
They were talking of Mary. Her introduction to her husband's friends had
been an ordeal for Bob Flippin's daughter. But she had gone through it
simply, quietly, unaffectedly, with the Judge by her side standing
sponsor for his son's wife in chivalrous and stately fashion, with Mrs.
Beaufort at her elbow helping her over the initial small talk of her
presentation. With Truxton beaming, and with Becky drawing her into that
charmed circle of the younger set which might so easily have shut her
out. More than one of those younger folk had had it in mind that at last
year's ball Mary Flippin had sat in the gallery. But not even the most
snobbish of them would have dared to brave Becky Bannister's
displeasure. Back of her clear-eyed serenity was a spirit which flamed
and a strength which accomplished. Becky was an amiable young person who
could flash fire at unfairness or injustice or undue assumption of
superiority.
The music had stopped and the balconies were filled. George, in the
darkness, was aware of the beauty of the scene--the lantern making
yellow moons--the golden groups beneath them. Mary and Truxton with a
friend or two were in the balcony adjoining the one where Becky sat with
young Paine.
"Isn't she a dear and a darling, Randy?" Becky was saying; "and how well
she carries it off. Truxton is so proud of her, and she is so pretty."
"She can't hold a candle to you, Becky."
"It is nice of you to say it." She leaned on the stone balustrade and
swung her fan idly.
"I am not saying it to be nice."
Public-domain text, read in full here on John Shaqi.
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