Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Elizabeth dreaded the sight of that boy’s face again, but it was growing
late, the early winter twilight was expanding its gloom in the room.
She made haste, and walked swiftly through the outer office. The young
man was no longer there. But though this was a relief, his face still
followed her. Who could he be?
The air out of doors was grateful. It soothed her hot cheeks, and,
though her head throbbed more violently for an instant from the exertion
of coming down the steps, she drew in great drafts of the winter air
with a comforting sense that it was cleansing her lungs of all that foul
atmosphere of poverty she had been breathing for two days. She walked
hurriedly to the corner, to wait for a car; beside her, St. Luke’s, as
with an effort, lifted its Gothic arches of gray stone into the dark
sky; across the street the City Hall loomed, its windows bright with
lights. The afternoon crowds were streaming by on the sidewalk, wagons
and heavy trucks jolted and rumbled along the street; she saw the
drivers of coal-wagons, the whites of their eyes flashing under the
electric lights against faces black as negroes with the grime.
Politicians were coming from the City Hall; here and there, in and out
of the crowd, newsboys darted, shouting "All ’bout the murder!" The
shops were ablaze, their windows tricked out for the holidays; throngs
of people hurried by, intent, preoccupied, selfish. As Elizabeth stood
there, the constant stream of faces oppressed her with an intolerable
gloom; the blazing electric lights, signs of theaters and restaurants,
were mere mockeries of pleasure and comfort. And always the roar of the
city. It was the hour when the roar became low and dull, a deep, ugly
note of weariness and discontent was in it, the grumble of a city that
was exhausted from its long day of confusion and wearing, complicated
effort. On the City Hall corner, a man with the red-banded cap of the
Salvation Army stood beside an iron kettle suspended beneath a tripod,
swaying from side to side, stamping his huge feet in the cold, jangling
a little hand-bell, and constantly crying in a bass voice:
"Remember the poor! Remember the poor!"
She recalled, suddenly, that the outcasts at the Charities invariably
sneered whenever the Salvation Army was suggested, and she was impatient
with this man in the cap with the red band, his enormous sandy mustache
frozen into repulsive little icicles. Why must he add his din to this
tired roar of the worn-out city?
Public-domain text, read in full here on John Shaqi.
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