Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Four miles from town, where a white pike crosses a mud road, is Lulu
Corners. There is little at this cross-roads to inspire a name less
frivolous, nothing indeed but a weather-beaten store, where the people
of the neighborhood wait for the big yellow trolley-cars that sweep
across the country hourly, sounding their musical air-whistles over the
fields. Half a mile from the Corners two unmarried sisters, Bridget and
Margaret Flanagan, for twenty years had lived alone in a hovel that was
invaded by pigs and chickens and geese. Together, these aged women,
tall, bony and masculine, lived their graceless, squalid lives,
untouched by romance or tragedy, working their few acres and selling
their pork, and eggs and feathers in the city. The nearest dwelling was
a quarter of a mile away, and the neighbors were still farther removed
by prejudices, religious and social. Thus the old women were left to
themselves. The report was that they were misers, and the miserable
manner of their lives supported rather than belied this theory; there
was a romantic impression in a country-side that knew so little romance,
that a large amount of money was hidden somewhere about the ugly
premises.
On an evening in late October, Bridget Flanagan was getting supper. The
meal was meager, and when she had made it ready she placed a lamp on the
table and waited for Margaret, who had gone out to fasten the shanty in
which the barn-yard animals slept. Margaret came in presently, locked
the door, and the sisters sat down to their supper. They had just
crossed themselves and heaped their plates with potatoes, when they
heard a knock at the door.
"Who can that be, sister?" said Bridget, looking up.
"I wonder now!" said Margaret in a surprise that was almost an alarm.
The knocking was repeated.
"Mary help us!" said Bridget, again making the sign of the cross. "No
one ever came at this hour before."
The knocking sounded again, louder, more insistent.
"You go on to the door, sister," said Bridget, "and let them
in,--whoever they may be, I dunno."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account