Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Perkins roused the neighborhood, and all night long men were riding to
and fro between Lulu Corners and the city. A calm Sunday morning
followed, and then came the coroner, the reporters and the crowds.
While the bell of the little Methodist church a mile away on the Gilboa
Pike was ringing, Mark Bentley, the sheriff, dashed up behind a team of
lean horses, sweating and splashed with mud from their mad gallop.
Behind him came his deputies and the special deputies he had sworn in,
and, sitting in his buggy, holding his whip in a gloved hand, waving and
flourishing it like a baton, Bentley divided into posses the farmers who
had gathered with shot-guns, rifles, pitchforks, axes, clubs, anything,
placed a deputy at the head of each posse and sent them forth.
Detectives and policemen came, and all that Sunday mobs of angry men
were beating up the whole country for miles. Some were mounted, and
these flew down the roads, spreading the alarm, leaving women standing
horror-stricken in doorways with children whimpering in their skirts;
others went in buggies, others plodded on foot. And all day long crowds
of women and children pressed about the little house, peering into the
kitchen with morbid curiosity. The crowd swelled, then shrank, then
swelled again. The newspapers made the most of the tragedy, and under
head-lines of bold type, in black ink and in red, they told the story of
the crime with all the details the boyish imaginations of their
reporters could invent; they printed pictures of the shanty, and
diagrams of the kitchen, with crosses to indicate where Margaret had
fallen, where Bridget had been left for dead, where the table and the
stove had stood, where the door was; and by the time the world had begun
a new week, the whole city was in the same state of horror and fear, and
breathed the same rage and lust of vengeance that had fallen on Lulu
Corners.
II
Public-domain text, read in full here on John Shaqi.
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