Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
"You got some bapers for him?"
"That’s my business," said Kouka, advancing menacingly toward Koerner.
"You tell where he is or I’ll run the whole family in. Here," he said
suddenly, a thought having occurred to him, "put ’em under arrest, both
of ’em!"
The old man shuffled backward, leaned against the table for support and
raised his crutch for protection.
"You better look oudt, Mis’er Detective," said Koerner. "You’d better
look oudt. Py Gott--"
Kouka stopped, considered, then changed his mind.
"Look here, Mr. Koerner," he said. "It’s no use. We know Archie’s here
and we want him."
"He’s not here," suddenly spoke Mrs. Koerner beside him. "He’s not
here!"
"The hell he ain’t!" said Kouka. "I saw him come in--ten minutes ago.
Search the house, men." And the rummaging began again.
The men were about to enter the little room where Koerner slept: it was
dark in there and one of them took the lamp.
"Look oudt!" Koerner said suddenly. "Look oudt! You go in dere if you
vant to, but, py Gott, don’t blame me if--"
The men suddenly halted and stepped back.
"Go on in!" commanded Kouka. "What do you want to stand there for? Are
you afraid?"
Then they went, ransacked that room, threw everything into disorder and
came out.
"No one there," they reported in relief.
They searched the whole house over again, and old man Koerner stood by
on one leg and his crutch, with a strange, amused smile on his yellow
face. At last, Kouka, lifting his black visage, looked at the ceiling,
sought some way as if to an upper story, found none, and then began to
swear again, cursing the old man and his wife. Finally he said to the
officers:
"He’s been kidding us."
Then he called his men, dashed out of the house, and with a dark lantern
began seeking signs in the back yard. Near the rear fence he discovered
footprints in the soft earth; they climbed over and found other
footprints in the mud of the alley.
"Here they went!" cried Kouka.
V
Archie had stood for a moment in his mother’s embrace; he had felt her
cheek against his; he had heard her voice again. He was forgetful of
everything--of Curly’s presence, of all he had ever been made to suffer
by himself and by others. He knew that his mother’s eyes were closed
and that tears were squeezing through the lids; he felt his own tears
coming, but it did not matter--in that moment he could cry without being
made ashamed. It was a supreme moment for him, a moment when all he had
been, all he had done, all he had not done, made no difference; no
questions now, no reproaches, no accusations, not even forgiveness, for
there was no need of forgiveness; a moment merely of love, an incredible
moment, working a miracle in which men would not believe, having lost
belief in Love. It was a moment that suffused his whole being with a
new, surging life, out of which--
Public-domain text, read in full here on John Shaqi.
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