Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
The passenger-train, shrinking in size by swift perceptible degrees as
it lost itself in the darkness, soon was gone. The white lantern swung
again, and the switch-engine resumed its monotonous labors, confined to
the tedious limits of that yard, never allowed to go out into the larger
world. Gradually it worked the train it was patiently piecing together
over to the side of the yard where Archie and Curly waited. Then, at
last, watching their chance, they slipped out, found an open car, sprang
into it, slunk out of possible sight of conductor or switchman, and were
happy.
The car was bumped and buffeted up and down the yard for an hour; but
Archie and Curly within were laughing at having thus eluded the
officers. They sat against the wall of the car, their knees to their
chins, talking under cover of the noise the cars made. After a while
the engine whistled and the train moved.
When they awoke, the car was standing still and a gray light came
through the cracks of the door.
"I wonder where we are," said Archie, rubbing his eyes.
Curly got up, stretched, crept to the middle of the car and looked out.
Presently Archie heard him say:
"By God!"
He joined him. And there were the lumber piles. It was morning, the
city was awake, the grinding of its weary mills had begun. They were
just where they had been the night before.
"Marooned!" said Curly, and he laughed.
They decided, or Curly decided, that they must wait. Some of those
restless switch-engines would make up another train before long, and in
it they might leave the town, in which there was now no place of safety
for them. The morning was cold; the chill of the damp atmosphere
stiffened them. Just outside, in the lumber-yard, several men were
working, and the fugitives must not be seen by them, for they would be
as hostile as the whole world had suddenly become. They waited, but the
men did not leave. Their task seemed to be as endless as that of the
switch-engine. For a long while the railroad yards were strangely still.
Now and then Curly crept to the door and peeped out; the lumber-shovers
were not twenty feet away. The door on the opposite side of the car was
locked. Finally, they grew restless; they decided to go out anyhow.
"Hell!" said Archie. "There’s nothing to it. Let’s mope."
Something of Archie’s recklessness and disregard of consequences
affected Curly.
"Well, all right," he said; "come on."
They went to the door of the car. And there, looking full in their
faces, was a switchman with a red, rough face and a stubble of reddish
beard. The switchman drew back with a curse to express his
astonishment, his surprise, the sudden fright that confused and angered
him.
"Come out o’ that, you hobos," he called, stepping back. The men in the
lumber-yard heard his sudden cry, stopped and looked up. The switchman
cursed and called again.
Curly and Archie shrank into the darkness of the car. Archie had drawn
his revolver.
Public-domain text, read in full here on John Shaqi.
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