Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
"Oh, Archie! Archie! _Archie!_"
She spoke his name this last time as if she must find relief by wringing
her whole soul into it. Then she stood, biting her lip as if to stop
its quivering. Archie, on his part, looked at her a moment, then at the
floor.
"Say you didn’t do it, Archie."
"Do what?"
"You know--"
"You mean Kouka?"
"Oh, no," she said, impatient with the question.
"That Flanagan job?"
She nodded rapidly.
"Of course not; you ought to know that. Every one knows that--even the
coppers." His sentence ended with a sneer cast in the officer’s
direction. And Gusta sighed.
"I’m so glad!" she said, her bosom rising and falling in relief. "They
all said--"
"Oh, that’s just the frame-up," said Archie. "They’d job me for it
quick enough." He was sneering again at the officer, as incarnating the
whole police system, and his face was darkened by a look of all hatred
and malignity. The officer smiled calmly.
"I’m so glad," Gusta was smiling now. "But--" she began. Her lip
quivered; the tears started afresh. "What about the other?"
"That was self-defense; he agitated me to it. But don’t let’s talk
before that copper there--" He could not avert his look of hatred from
the officer, whose face was darkening, as he plucked nervously at his
mustache.
"He’d say anything--that’s his business," Archie went on, unable to
restrain himself.
"Sh! Don’t, Archie!" Gusta said. "Don’t!"
Archie drew in full breaths, inflating his white chest. The officer
returned his look of hatred, his bronzed face had taken on a shade of
green; the two men struggled silently, then controlled themselves. Gusta
was trying again to choke down her sobs.
"How’s father?" Archie asked, after a silence, striving for a
commonplace tone.
"He’s well,--I guess."
"He knows, does he?"
"I--don’t know."
"What! Why--can’t you tell him? He could get down here, couldn’t he?
He had a crutch when I was there."
She was silent, her head drooped, the flowers in her hat brushed the
bars at Archie’s face. She thrust the toe of a patent-leather boot
between the bars at the bottom of the door. The tips of her gloved
fingers touched the bars lightly; there was a slight odor of perfume in
the entry-way.
"You see," she said, "I--I can’t go out there--any more." Her tears
were falling on the cement floor, falling beside the iron bucket in
which was kept the water for the prisoners to drink.
"Oh!" said Archie coldly.
She looked up suddenly, read the meaning of his changed expression, and
then she pressed her face against the bars tightly, and cried out:
"Oh, Archie! Don’t! Don’t!"
He was hard with her.
"By God!" he said. "I don’t know why _you_ should have--oh, hell!"
He whirled on his heel, as if he would go away.
She clung to the bars, pressing her face against them, trying, as it
were, to thrust her lips through them.
Public-domain text, read in full here on John Shaqi.
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