Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
When McFee understood who Ward was, he came out instantly, with an
unofficial readiness to make a difficult experience easy for them; he
implied an instant and delicate recognition of the patronage he saw, or
thought it proper to see, in this visit, and he even expressed a
sympathy for Gusta herself.
"I’m glad you came, Mr. Ward," he said. "We had to hold the poor girl,
of course, for a few days, until we could finish our investigation of
the case. Will you go up--or shall I have her brought down?"
"Oh, we’ll go up," said Ward, wondering where that was, and discovering
suddenly in himself the usual morbid desire to look at the inmates of a
prison. The sergeant detailed to conduct them led them up two broad
flights of stairs, and down a long hall, where, at his step, a matron
appeared, with a bunch of keys hanging at her white apron. Elizabeth
went with none of the sensations she had expected. She had been
surprised to find the police station a quiet place, and the policemen
themselves had been very polite, obliging and disinterested. But when
the matron unlocked one of the doors, and stood aside, Elizabeth felt
her breast flutter with fear.
The sergeant stood in the hall, silent and unconcerned, and when the
matron asked him if he would be present at the interview he shook his
head in a way that indicated the occasion as one of those when rules and
regulations may be suspended. Ward, though he would have liked to go
in, elected to remain outside with the sergeant, and as he did this he
smiled reassuringly at Elizabeth, just then hesitating on the threshold.
"Oh, just step right in," said the matron, standing politely aside. And
Elizabeth drew a deep breath and took the step.
She entered a small vestibule formed of high partitions of flanged
boards that were painted drab; and she waited another moment, with its
gathering anxiety and apprehension, for the matron to unlock a second
door. The door opened with a whine and there, at the other end of the
room in the morning light that struggled through the dirty glass of the
grated window, she saw Gusta. The girl sat on a common wooden chair
that had once been yellow, her hat on, her hands gloved and folded in
her lap, as if in another instant she were to leave the room she somehow
had an air of refusing to identify herself with.
"She’s sat that way ever since she came," the matron whispered. "She
hasn’t slep’ a wink, nor e’t a mouthful."
[Illustration: "She’s sat that way ever since she came"]
Public-domain text, read in full here on John Shaqi.
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