Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
When Gusta got outside again, she determined that she would not go home,
for there the long shadow of the prison lay. She did not know where to
go or what to do, but while she was trying to decide she heard from afar
the music of a band--surely there would be distraction. So she walked
in the direction of the music. About the workhouse, as about all
prisons, were the ramshackles of squalid poverty and worse; but little
Flint Street, along which she took her way, began to pick up, and she
passed cottages, painted and prim, where workmen lived, and the people
she saw, and their many children playing in the street, were well
dressed and happy. It seemed strange to Gusta that any one should be
happy then. When suddenly she came into Eastend Avenue, she knew at
last where she was and whence the music came; she remembered that Miami
Park was not far away. The avenue was crowded with vehicles, not the
stylish kind she had been accustomed to on Claybourne Avenue, but
buggies from livery-stables, in which men drove to the road-houses up
the river, surreys with whole families crowded in them, now and then
some grocer’s or butcher’s delivery wagon furnished with seats and
filled with women and children. The long yellow trolley-cars that went
sliding by with incessant clangor of gongs were loaded; the only signs
of the aristocracy Gusta once had known were the occasional automobiles,
bound, like the Sunday afternoon buggy-riders, up the smooth white river
road.
Eastend Avenue ran through the park, and just before it reached that
playground of the people it was lined with all kinds of amusement
pavilions, little vaudeville shows, merry-go-rounds, tintype studios,
shooting galleries, pop-corn and lemonade stands, public dance halls
where men and girls were whirling in the waltz. On one side was a
beer-garden. All these places were going noisily, with men shouting out
the attractions inside, hand-organs and drums making a wild, barbaric
din, and in the beer-garden a German band braying out its meretricious
tunes. But at the beginning of the park a dead-line was invisibly
drawn--beyond that the city would not allow the catch-penny amusements
to go. On one side of the avenue the park sloped down to the river, on
the other it stretched into a deep grove. The glass roof of a botanical
house gleamed in the sun, and beyond, hidden among the trees, were the
zoölogical gardens, where a deer park, a bear-pit, a monkey house, and a
yard in which foxes skulked and racoons slept, strove with their
mild-mannered exhibits for the beginnings of a menagerie. And
everywhere were people strolling along the walks, lounging under the
trees, hundreds of them, thousands of them, dressed evidently in their
best clothes, seeking relief from the constant toil that kept their
lives on a monotonous level.
Public-domain text, read in full here on John Shaqi.
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