Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Mason entered with an assurance that impressed Archie, who had never
before felt the need of assurance in entering a saloon. He looked
about; it was like any other saloon, a long bar and a heavy mirror that
reflected the glasses and the bottles of green and yellow liqueurs
arranged before it. At one table sat a tattered wreck of a man, his
head bowed on his forearms crossed on the table, fast asleep--one of the
many broken lives that found with Danny Gibbs a refuge. Over the mirror
behind the bar hung an opium pipe, long since disused, serving as a
relic now, the dreams with which it had once relieved the squalor and
remorse of a wasted life long since broken.
At Mason’s step, however, there was a stir in the room behind the
bar-room, and a woman entered. She walked heavily, as if her years and
her flesh were burdensome; her face was heavy, tired and expressionless.
She was plainly making for the bar, as if to keep alive the pretense of
a saloon, but when she saw Mason she stopped, her face lighted up,
becoming all at once matronly and pleasant, and she smiled as she came
forward, holding out a hand.
"Why, Joe," she said, "is that you? When did you get out?"
"This morning," he said. "Where’s Dan?"
"He’s back here; come in," and she turned and led the way.
Mason followed, drawing Archie behind him, and they entered the room
behind the bar-room. The atmosphere changed--the room was light, it was
lived in, and the four men seated at a round bare table gave to the
place its proper character. Three of the men had small tumblers filled
with whisky before them, the fourth had none; he sat tilted back in his
chair, his stiff hat pulled down over his eyes, his hands sunk in the
pockets of his trousers; his fat thighs flattened on the edge of his
chair. He was dressed in modest gray, and might have been taken for a
commonplace business man. He lifted his blue eyes quickly and glanced
at the intruders; his face was round and cleanly shaved, save for a
little blond mustache that curled at the corners of his mouth. His
hair, of the same color as his mustache, glistened slightly at the
temples, where it was touched by gray. This man had no whisky glass
before him--he did not drink, but he sat there with an air of presiding
over this little session, plainly vested with some authority--sat,
indeed, as became Danny Gibbs, the most prominent figure in the under
world.
Public-domain text, read in full here on John Shaqi.
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