Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Mason was listening intently, leaning forward, his keen eyes fixed on
Mandell’s. He was glad, at last, to have the story from one he could
trust to give the details correctly; theretofore he had had nothing but
the accounts in the newspapers, and he had no more confidence in the
newspapers than he had in the courts or the churches, or any other
institution of the world above him. Archie listened, too, finding a new
fascination in the tale, though he had had it already from one of the
gang, Pat Whalen, who had been fortunate enough to see the tragedy, and
had had the distinction of testifying in the case. Whalen had seen
Moon, a bartender with pugilistic ambitions, make an unprovoked assault
on Jackson, follow him to the corner, and knock him down; he had seen
Jackson stagger to his feet, draw his revolver and back away. He had
told Archie how deathly white Jackson’s face had gone as he backed,
backed, a whole block, a crowd following, and Moon coming after, cursing
and swearing, taunting Jackson, daring him to shoot, telling him he was
"four-flushing with that smoke-wagon," warning him to make a good job
when he did shoot, for he intended to make him eat his gun. He had told
how marvelously cool Jackson was; he had said in a low voice, "I don’t
want to shoot you--I just want you to let me alone." And Whalen had
described how Moon had flung off his coat, how bystanders had tried to
restrain him, how he had rushed on, how Jackson had gone into the vacant
lot by old Jim Peppers’s shanty, coming out on the other side, until he
was met by Eva Clason, who tried to open a gate and let Jackson into the
brothel she called home. Whalen had given Archie a sense of the
ironical fate that that day had led Eva’s piano player to nail up the
gate so that the chickens she had bought could not get out of the yard.
The gate would not open and Moon was on him again; and Jackson backed
and backed, clear around to the sidewalk on Caldwell Street, and then,
when he had completed the circuit, Moon had sprung at him. Then the
revolver had cracked, the crowd closed in, and there lay Moon on the
sidewalk, dead--and Jackson looking down at him. Then the cries for
air, the patrol wagon, and the police.
As Mandell told the story now, Archie kept his eyes on Jackson. At the
point where he had said, "I don’t want to shoot you," Jackson’s eyes
grew moist with tears; he blinked and knocked the ashes from his
cigarette with the nail of his little finger, sprinkling them on the
floor. When Mandell had done, Mason looked up at Jackson.
"Well, Curly," he said, "you had the right nerve."
"Nerve!" said Mandell. "I guess so!"
"Nerve!" repeated Keenan. "He had enough for a whole mob!"
"Ach!" said Jackson, twisting away from them on his chair.
"I’d ’a’ let him have it when he first bashed me," said Keenan.
Public-domain text, read in full here on John Shaqi.
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