The twelve adventurers, and other storiesBrontë, Charlotte
Science
The twelve adventurers, and other stories
Brontë, Charlotte
English fiction -- 19th century; Short stories, English
A mighty phantom has answered my spell: an awful shape clouds the
magic mirror! Reader, before me I behold the earthly tabernacle of
Northangerland’s unsounded soul! There he stands: what a vessel to
be moulded from the coarse clay of mortality! What a plant to spring
from the rank soil of human existence! And the vessel is without
flaw: polished, fresh, and bright from the last process of the maker.
The flower has sprung up to mature beauty, but not a leaf is curled,
not a blossom faded. This portrait was taken ere the lights and shadows
of twenty-five summers had fallen across the wondrous labyrinth of
Percy’s path through life. At this moment a gleam of sunlight, real
deep gold in hue, comes through the kindled window-panes, and falls
richly and serenely on the picture. It is a softened glory, for the
sun is far west and its amber rays shed inexpressible tranquillity
wherever they descend. How sweetly they sleep on that brow! and on
those Ionic features! Percy! Percy! never was humanity fashioned
in a fairer mould. The eye follows delighted all those classic lines
of face and form: not one unseemly curvature or angle to disturb
the general effect of so much refined regularity; all appears carved
in ivory. The grossness of flesh and blood will not suit its statuesque
exactness and speckless polish. A feeling of fascination comes over
me while I gaze on that Phidian nose defined with such beautiful
precision; that chin and mouth chiselled to such elaborate perfection;
that high, pale forehead, not bald as now, but yet not shadowed with
curls, for the clustering hair is parted back, gathered in abundant
wreaths on the temples and leaving the brow free for all the gloom
and glory of a mind that has no parallel to play over the expanse
of living marble which its absence reveals. The expression in this
picture is somewhat pensive, composed, free from sarcasm except the
fixed sneer of the-lip and the strange deadly glitter of the eye
whose glance—a mixture of the keenest scorn and deepest thought—curdles
the spectator’s blood to ice. In my opinion this head embodies the
most vivid ideas we can conceive of Lucifer, the rebellious archangel:
there is such a total absence of human feeling and sympathy; such
a cold frozen pride; such a fathomless power of intellect; such passionless
yet perfect beauty—not breathing and burning, full of tightening
blood and fiery thought and feeling like that of some others whom
our readers will recollect,—but severely studied, faultlessly refined,
as cold and hard and polished and perfect as the most priceless brilliant.
And in his eye there is a shade of something, words cannot express
what. The sight may catch, but not fix it. A gleam, scarcely human,
dark and fiend-like, it steals away under the lash, quivers sometimes
with the mysterious tremor of a northern light, fixes stedfastly
on some luckless bystander, who shrinks from the supernatural aspect,
and then is all at once quenched.
Public-domain text, read in full here on John Shaqi.
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