The Twenty-Fourth of June: Midsummer's DayRichmond, Grace S. (Grace Smith)
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The Twenty-Fourth of June: Midsummer's Day
Richmond, Grace S. (Grace Smith)
Children of the rich -- Fiction; Love stories; Young women -- Fiction
_The Taming of the Shrew_ came to a triumphant end; the curtain fell
upon the effective closing scene in which the lovely _Shrew_, become a
richly loving and tender wife, without, somehow, surrendering a particle
of her exquisite individuality, spoke her words of wisdom to other
wives. Richard smiled to himself as he heard the lines fall from
Roberta's lips. And beneath his breath he said:
"I don't see how you can bring yourself to say them, you modern girl.
You'd never let a real husband feel his power that way, I'll wager. If
you did--well--it would go to his head, I'm sure of that. What an idiot
I am to think I could ever make her look at me the way she looked even
at that schoolgirl _Petruchio_--with a clever imitation of devotion. O
Roberta Gray! But I'd rather worship you across the footlights than take
any other girl in my arms. And somehow--somehow I've got to make you at
least respect me. At least that, Roberta! Then--perhaps--more!"
At Ruth's side, when the play was ended, Richard hoped to attain at
least the chance to speak to Ruth's sister. The young players all
appeared upon the stage, the curtain being raised for the rest of the
evening, and the audience came up, group by group, to offer
congratulations and pour into gratified ears the praise which was the
reward of labour. Richard succeeded in getting by degrees into the
immediate vicinity of Roberta, who was continuously surrounded by happy
parents bent on presenting their felicitations. But just as he was about
to make his way to her side a diversion occurred which took her
completely away from him. A girl near by, who on account of physical
frailty had had a minor part, grew suddenly faint, and in a trice
Roberta had impressed into her service a strong pair of male arms,
nearer at hand than Richard's, and had had the slim little figure
carried behind the scenes, herself following.
Ten minutes later he learned from Ruth that Roberta had gone back to
Miss Copeland's school with the girl, recovered but weak.
"Couldn't anybody else have gone?" he inquired, considerable impatience
in his voice.
"Of course--lots of people could, and would. Only it's just like Rob to
seize the chance to get away from this, and not come back. You'll
see--she won't. She hates being patted on the back, as she calls it. I
never can see why, when people mean it, as I'm sure they do to-night.
She's the queerest girl. She never wants what you'd think she would, or
wants it the way other people do. But she's awfully dear, just the
same," Ruth hastened to add, fearful lest she seem to criticise the
beloved sister. "And somehow you don't get tired of her, the way you do
of some people. Perhaps that's just because she's different."
"I suspect it is," Richard agreed with conviction. Certainly, a girl who
would run away from such adulation as she had been receiving must be, he
considered, decidedly and interestingly "different." He only wished he
might hit upon some "different" way to pique her interest.
Public-domain text, read in full here on John Shaqi.
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