I've often thought that there's something to be said for an Irish
wake, besides the pleasing opportunity it gives for the consumption of
Irish whisky. And still more for the custom which obtains of never
leaving a corpse alone until it's underground. From my point of view.
For if they hadn't left me alone I'd have been in a trifling fix. Mr.
Smith's idea was that he should appear upon the scene before the
undertaker's men, that I there and then should come to life, and that
we should screw down the lid upon an empty coffin. But apart from the
fact that I didn't trust Mr. Smith, not half as far as I could see
him, that notion of his was worth just nothing. He hadn't allowed for
the absence of my weight from that elegant chest. They'd have to be a
rummy lot of undertakers' men who couldn't tell, even when they were
dead drunk, an empty coffin from a full one. But as I'd made
arrangements of my own for supplying the deficiency I didn't trouble
to go into details with Mr. Smith. As things turned out, from every
point of view, it was just as well I had.
I took with me to Cortin's Hotel my double. There were only two men in
the world who ever knew of its existence. I'm one; the other's dead.
Real dead; and not for money. He was a Frenchman named Pétion--Edward
Pétion. He was a modeller in wax. He had been attached to a waxworks
museum in Paris; where, I fancy, propriety according to English
notions was not the strongest point. That had been before I made his
acquaintance. At the time I knew him the only thing to which he was
attached was absinthe. The bonds of that attachment were never
relaxed. He was penniless. And though he required no food he did want
drink. With that I provided him on condition that he made my double.
And he did.
It was made on the principle of a lay figure, with flexible limbs;
and in every respect was an exact copy of the great original--so far,
that is, as the means available permitted. The result altogether
exceeded my expectations. It was my weight to an ounce. And when it
was lying down, with its eyes closed, not the keenest observer,
standing at a little distance--unless he had some prior cause of his
own for doubt--would suspect that it wasn't me, especially when the
light was a little bad. In support of that statement I need only
mention that the public--and even my own manager--has stared at it
when it was inside a glass frame without entertaining the faintest
suspicion of the substitution which had taken place. With one accord
they imagined themselves to be looking at me.
Public-domain text, read in full here on John Shaqi.
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