Wild Bill's hut presented an unusually animated appearance. The
customary oil-lamp was receiving the support of two vilely smelling
yellow candles. The additional light thus obtained was hardly in
proportion to the offensiveness of the added aroma. Still, the remoter
corners of the place were further lit up, and the rough faces of the
four occupants of the room were thrown into stronger relief.
But the animation of the scene was rather a matter of visual illusion
than actuality. For Wild Bill, in his right of proprietorship, was
lounging on his blanketed bunk, while Toby's inanimate form robbed him
of the extreme foot of it. Sunny Oak was hugging to himself what
comfort there was to be obtained from the broken chair, which usually
supported Bill's wash bucket, set well within elbow-reach of the table
on which the illuminations had been placed. Sandy Joyce with unusual
humility--possibly the result of his encounter with Birdie--was
crouching on an upturned cracker box.
There was a wonderful intentness, expectancy in every eye except
Bill's. In Toby's there was triumphal anticipation, in Sandy's a
conscious assurance. Bill had just come in from preparing his horses
for their night journey, and, with an hour and more to spare, and the
prospect of a long night before him, was anxious to take things as
easy as possible.
Reaching his arms above his head he pushed his hands behind it for
support, and opened the proceedings.
"You fellers been busy?" he inquired.
And promptly every mouth opened to give proud assurance. But the
gambler checked the impulse with grating sarcasm.
Public-domain text, read in full here on John Shaqi.
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