The Twins of Table Mountain, and Other StoriesHarte, Bret
General
The Twins of Table Mountain, and Other Stories
Harte, Bret
American fiction -- 19th century; Western stories
unduly excited by liquor: there was not a word or motion from the
lighter sex that could have been construed into an impropriety. There
was something almost pathetic to me in this attempt to wrest gayety and
excitement out of these dull materials; to fight against the blackness
of that wintry sky, and the stubborn hardness of the frozen soil, with
these painted sticks of wood; to mock the dreariness of their poverty
with these flaunting raiments. It did not seem like them, or rather,
consistent with my idea of them. There was incongruity deeper than their
bizarre externals; a half-melancholy, half-crazy absurdity in their
action, the substitution of a grim spasmodic frenzy for levity, that
rightly or wrongly impressed me. When the increasing gloom of the
evening made their figures undistinguishable, I turned into the first
cross-street. As I lifted my hat to my persistent young friend with the
Pritsche, I fancied she looked as relieved as myself. If, however, I
was mistaken; if that child's pathway through life be strewn with rosy
recollections of the unresisting back of the stranger American; if any
burden, O Gretchen! laid upon thy young shoulders, be lighter for the
trifling one thou didst lay upon mine,--know, then, that I, too, am
content.
And so, day by day, has my Spion reflected the various changing forms
of life before it. It has seen the first flush of spring in the broad
allee, when the shadows of tiny leaflets overhead were beginning to
checker the cool, square flagstones. It has seen the glare and fulness
of summer sunshine and shadow, the flying of November gold through the
air, the gaunt limbs, and stark, rigid, death-like whiteness of winter.
It has seen children in their queer, wicker baby-carriages, old men and
women, and occasionally that grim usher of death, in sable cloak and
cocked hat,--a baleful figure for the wandering invalid tourist to
meet,--who acts as undertaker for this ducal city, and marshals the
last melancholy procession. I well remember my first meeting with this
ominous functionary. It was an early autumnal morning; so early, that
the long formal perspective of the allee, and the decorous, smooth
vanishing-lines of cream-and-gray fronted houses, were unrelieved by a
single human figure. Suddenly a tall black spectre, as theatrical and
as unreal as the painted scenic distance, turned the corner from a
cross-street, and moved slowly towards me. A long black cloak, falling
from its shoulders to its feet, floated out on either side like sable
wings; a cocked hat trimmed with crape, and surmounted by a hearse-like
feather, covered a passionless face; and its eyes, looking neither left
nor right, were fixed fatefully upon some distant goal. Stranger as I
was to this Continental ceremonial figure, there was no mistaking his
functions as the grim messenger, knocking “with equal foot” on every
door; and, indeed, so perfectly did he act and look his role, that there
Public-domain text, read in full here on John Shaqi.
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