Coming home one day from his professional round, the malignant and
vicious old man came across a bewitching little girl at the edge of some
fields that lay along the avenue de Tivoli. Hearing the horse, the child
sprang up from the bottom of one of the many brooks which are to be
seen from the heights of Issoudun, threading the meadows like ribbons
of silver on a green robe. Naiad-like, she rose suddenly on the doctor’s
vision, showing the loveliest virgin head that painters ever dreamed of.
Old Rouget, who knew the whole country-side, did not know this miracle
of beauty. The child, who was half naked, wore a forlorn little
petticoat of coarse woollen stuff, woven in alternate strips of brown
and white, full of holes and very ragged. A sheet of rough writing
paper, tied on by a shred of osier, served her for a hat. Beneath this
paper--covered with pot-hooks and round O’s, from which it derived the
name of “schoolpaper”--the loveliest mass of blonde hair that ever a
daughter of Eve could have desired, was twisted up, and held in place
by a species of comb made to comb out the tails of horses. Her pretty
tanned bosom, and her neck, scarcely covered by a ragged fichu which
was once a Madres handkerchief, showed edges of the white skin below the
exposed and sun-burned parts. One end of her petticoat was drawn between
the legs and fastened with a huge pin in front, giving that garment the
look of a pair of bathing drawers. The feet and the legs, which could be
seen through the clear water in which she stood, attracted the eye by a
delicacy which was worthy of a sculptor of the middle ages. The charming
limbs exposed to the sun had a ruddy tone that was not without beauty
of its own. The neck and bosom were worthy of being wrapped in silks and
cashmeres; and the nymph had blue eyes fringed with long lashes, whose
glance might have made a painter or a poet fall upon his knees. The
doctor, enough of an anatomist to trace the exquisite figure, recognized
the loss it would be to art if the lines of such a model were destroyed
by the hard toil of the fields.
“Where do you come from, little girl? I have never seen you before,”
said the old doctor, then sixty-two years of age. This scene took place
in the month of September, 1799.
“I belong in Vatan,” she answered.
Hearing Rouget’s voice, an ill-looking man, standing at some distance
in the deeper waters of the brook, raised his head. “What are you
about, Flore?” he said, “While you are talking instead of catching, the
creatures will get away.”
“Why have you come here from Vatan?” continued the doctor, paying no
heed to the interruption.
“I am catching crabs for my uncle Brazier here.”
Public-domain text, read in full here on John Shaqi.
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