At the time when Madame Bridau returned to Issoudun to save--as Maitre
Desroches expressed it--an inheritance that was seriously threatened,
Jean-Jacques Rouget had reached by degrees a condition that was
semi-vegetative. In the first place, after Max’s instalment, Flore put
the table on an episcopal footing. Rouget, thrown in the way of good
living, ate more and still more, enticed by the Vedie’s excellent
dishes. He grew no fatter, however, in spite of this abundant and
luxurious nourishment. From day to day he weakened like a worn-out
man,--fatigued, perhaps, with the effort of digestion,--and his eyes had
dark circles around them. Still, when his friends and neighbors met him
in his walks and questioned him about his health, he always answered
that he was never better in his life. As he had always been thought
extremely deficient in mind, people did not notice the constant lowering
of his faculties. His love for Flore was the one thing that kept
him alive; in fact, he existed only for her, and his weakness in her
presence was unbounded; he obeyed the creature’s mere look, and watched
her movements as a dog watches every gesture of his master. In short, as
Madame Hochon remarked, at fifty-seven years of age he seemed older than
Monsieur Hochon, an octogenarian.
Every one will suppose, and with reason, that Max’s _appartement_ was
worthy of so charming a fellow. In fact, in the course of six years our
captain had by degrees perfected the comfort of his abode and adorned
every detail of it, as much for his own pleasure as for Flore’s. But it
was, after all, only the comfort and luxury of Issoudun,--colored tiles,
rather elegant wallpapers, mahogany furniture, mirrors in gilt frames,
muslin curtains with red borders, a bed with a canopy, and draperies
arranged as the provincial upholsterers arrange them for a rich bride;
which in the eyes of Issoudun seemed the height of luxury, but are so
common in vulgar fashion-plates that even the petty shopkeepers in Paris
have discarded them at their weddings. One very unusual thing appeared,
which caused much talk in Issoudun, namely, a rush-matting on the
stairs, no doubt to muffle the sound of feet. In fact, though Max was
in the habit of coming in at daybreak, he never woke any one, and
Rouget was far from suspecting that his guest was an accomplice in the
nocturnal performances of the Knights of Idleness.
About eight o’clock the next morning, Flore, wearing a dressing-gown
of some pretty cotton stuff with narrow pink stripes, a lace cap on her
head, and her feet in furred slippers, softly opened the door of Max’s
chamber; seeing that he slept, she remained standing beside the bed.
“He came in so late!” she said to herself. “It was half-past three. He
must have a good constitution to stand such amusements. Isn’t he strong,
the dear love! I wonder what they did last night.”
Public-domain text, read in full here on John Shaqi.
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