The house, though large, was scantily furnished; on the second floor,
however, there were two rooms suitable for Madame Bridau and Joseph. Old
Hochon now repented that he had kept them furnished with two beds,
each bed accompanied by an old armchair of natural wood covered with
needlework, and a walnut table, on which figured a water-pitcher of the
wide-mouthed kind called “gueulard,” standing in a basin with a blue
border. The old man kept his winter store of apples and pears, medlars
and quinces on heaps of straw in these rooms, where the rats and mice
ran riot, so that they exhaled a mingled odor of fruit and vermin.
Madame Hochon now directed that everything should be cleaned; the
wall-paper, which had peeled off in places, was fastened up again with
wafers; and she decorated the windows with little curtains which she
pieced together from old hoards of her own. Her husband having refused
to let her buy a strip of drugget, she laid down her own bedside carpet
for her little Agathe,--“Poor little thing!” as she called the mother,
who was now over forty-seven years old. Madame Hochon borrowed two
night-tables from a neighbor, and boldly hired two chests of drawers
with brass handles from a dealer in second-hand furniture who lived next
to Mere Cognette. She herself had preserved two pairs of candlesticks,
carved in choice woods by her own father, who had the “turning” mania.
From 1770 to 1780 it was the fashion among rich people to learn a trade,
and Monsieur Lousteau, the father, was a turner, just as Louis XVI. was
a locksmith. These candlesticks were ornamented with circlets made of
the roots of rose, peach, and apricot trees. Madame Hochon actually
risked the use of her precious relics! These preparations and this
sacrifice increased old Hochon’s anxiety; up to this time he had not
believed in the arrival of the Bridaus.
The morning of the day that was celebrated by the trick on Fario, Madame
Hochon said to her husband after breakfast:--
“I hope, Hochon, that you will receive my goddaughter, Madame Bridau,
properly.” Then, after making sure that her grandchildren were out of
hearing, she added: “I am mistress of my own property; don’t oblige me
to make up to Agathe in my will for any incivility on your part.”
“Do you think, madame,” answered Hochon, in a mild voice, “that, at my
age, I don’t know the forms of decent civility?”
“You know very well what I mean, you crafty old thing! Be friendly to
our guests, and remember that I love Agathe.”
“And you love Maxence Gilet also, who is getting the property away from
your dear Agathe! Ah! you’ve warmed a viper in your bosom there; but
after all, the Rouget money is bound to go to a Lousteau.”
Public-domain text, read in full here on John Shaqi.
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