“It would be well to read that letter to the two women,” said the old
man.
“There it is,” said Joseph, giving it to him; “as to me, I want to be
off to-morrow; and I am now going to say good-by to my uncle.”
“Ah!” said Monsieur Hochon, “I see that Monsieur Desroches tells you in
a postscript to burn the letter.”
“You can burn it after showing it to my mother,” said the painter.
Joseph dressed, crossed the little square, and called on his uncle, who
was just finishing breakfast. Max and Flore were at table.
“Don’t disturb yourself, my dear uncle; I have only come to say
good-by.”
“You are going?” said Max, exchanging glances with Flore.
“Yes; I have some work to do at the chateau of Monsieur de Serizy, and
I am all the more glad of it because his arm is long enough to do a
service to my poor brother in the Chamber of Peers.”
“Well, well, go and work”; said old Rouget, with a silly air. Joseph
thought him extraordinarily changed within a few days. “Men must work--I
am sorry you are going.”
“Oh! my mother will be here some time longer,” remarked Joseph.
Max made a movement with his lips which the Rabouilleuse observed, and
which signified: “They are going to try the plan Baruch warned me of.”
“I am very glad I came,” said Joseph, “for I have had the pleasure of
making your acquaintance and you have enriched my studio--”
“Yes,” said Flore, “instead of enlightening your uncle on the value
of his pictures, which is now estimated at over one hundred thousand
francs, you have packed them off in a hurry to Paris. Poor dear man! he
is no better than a baby! We have just been told of a little treasure at
Bourges,--what did they call it? a Poussin,--which was in the choir of
the cathedral before the Revolution and is now worth, all by itself,
thirty thousand francs.”
“That was not right of you, my nephew,” said Jean-Jacques, at a sign
from Max, which Joseph could not see.
“Come now, frankly,” said the soldier, laughing, “on your honor, what
should you say those pictures were worth? You’ve made an easy haul out
of your uncle! and right enough, too,--uncles are made to be pillaged.
Nature deprived me of uncles, but damn it, if I’d had any I should have
shown them no mercy.”
“Did you know, monsieur,” said Flore to Rouget, “what _your_ pictures
were worth? How much did you say, Monsieur Joseph?”
“Well,” answered the painter, who had grown as red as a beetroot,--“the
pictures are certainly worth something.”
“They say you estimated them to Monsieur Hochon at one hundred and fifty
thousand francs,” said Flore; “is that true?”
“Yes,” said the painter, with childlike honesty.
“And did you intend,” said Flore to the old man, “to give a hundred and
fifty thousand francs to your nephew?”
“Never, never!” cried Jean-Jacques, on whom Flore had fixed her eye.
“There is one way to settle all this,” said the painter, “and that is to
return them to you, uncle.”
“No, no, keep them,” said the old man.
Public-domain text, read in full here on John Shaqi.
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