These revelations as to the vast bearings of the real conspiracy made
Philippe a man of great distinction in the eyes of Carpentier and
Mignonnet, to whom his self-devotion seemed a state-craft worthy of the
palmy days of the Convention. In a short time the tricky Bonapartist
was seen to be on friendly terms with the two officers, and the
consideration they enjoyed in the town was, of course, shared by him.
He soon obtained, through their recommendation, the situation in the
insurance office that old Hochon had suggested, which required only
three hours of his day. Mignonnet and Carpentier put him up at their
club, where his good manners and bearing, in keeping with the high
opinion which the two officers expressed about him, won him a respect
often given to external appearances that are only deceitful.
Philippe, whose conduct was carefully considered and planned, had
indeed made many reflections while in prison as to the inconveniences
of leading a debauched life. He did not need Desroches’s lecture to
understand the necessity of conciliating the people at Issoudun by
decent, sober, and respectable conduct. Delighted to attract Max’s
ridicule by behaving with the propriety of a Mignonnet, he went further,
and endeavored to lull Gilet’s suspicions by deceiving him as to his
real character. He was bent on being taken for a fool by appearing
generous and disinterested; all the while drawing a net around his
adversary, and keeping his eye on his uncle’s property. His mother and
brother, on the contrary, who were really disinterested, generous,
and lofty, had been accused of greed because they had acted with
straightforward simplicity. Philippe’s covetousness was fully roused by
Monsieur Hochon, who gave him all the details of his uncle’s property.
In the first secret conversation which he held with the octogenarian,
they agreed that Philippe must not awaken Max’s suspicions; for the game
would be lost if Flore and Max were to carry off their victim, though no
further than Bourges.
Public-domain text, read in full here on John Shaqi.
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