Giroudeau withdrew, much disappointed, and also really mortified at
being obliged to send to a hospital a man who had carried the Emperor’s
orders at the battle of Montereau. Three months later, at the end of
July, as Agathe one morning was crossing the Pont Neuf to avoid paying a
sou at the Pont des Arts, she saw, coming along by the shops of the Quai
de l’Ecole, a man bearing all the signs of second-class poverty, who,
she thought, resembled Philippe. In Paris, there are three distinct
classes of poverty. First, the poverty of the man who preserves
appearances, and to whom a future still belongs; this is the poverty
of young men, artists, men of the world, momentarily unfortunate.
The outward signs of their distress are not visible, except under the
microscope of a close observer. These persons are the equestrian order
of poverty; they continue to drive about in cabriolets. In the second
order we find old men who have become indifferent to everything, and, in
June, put the cross of the Legion of honor on alpaca overcoats; that is
the poverty of small incomes,--of old clerks, who live at Sainte-Perine
and care no longer about their outward man. Then comes, in the third
place, poverty in rags, the poverty of the people, the poverty that
is poetic; which Callot, Hogarth, Murillo, Charlet, Raffet, Gavarni,
Meissonier, Art itself adores and cultivates, especially during the
carnival. The man in whom poor Agathe thought she recognized her son was
astride the last two classes of poverty. She saw the ragged neck-cloth,
the scurfy hat, the broken and patched boots, the threadbare coat, whose
buttons had shed their mould, leaving the empty shrivelled pod dangling
in congruity with the torn pockets and the dirty collar. Scraps of flue
were in the creases of the coat, which showed plainly the dust that
filled it. The man drew from the pockets of his seam-rent iron-gray
trousers a pair of hands as black as those of a mechanic. A knitted
woollen waistcoat, discolored by use, showed below the sleeves of his
coat, and above the trousers, and no doubt served instead of a shirt.
Philippe wore a green silk shade with a wire edge over his eyes; his
head, which was nearly bald, the tints of his skin, and his sunken face
too plainly revealed that he was just leaving the terrible Hopital du
Midi. His blue overcoat, whitened at the seams, was still decorated
with the ribbon of his cross; and the passers-by looked at the
hero, doubtless some victim of the government, with curiosity and
commiseration; the rosette attracted notice, and the fiercest “ultra”
was jealous for the honor of the Legion. In those days, however much the
government endeavored to bring the Order into disrepute by bestowing
its cross right and left, there were not fifty-three thousand persons
decorated.
Public-domain text, read in full here on John Shaqi.
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