At the time when Madame Bridau returned to Issoudun, Max was excluded
from the society of the place. He showed, moreover, proper self-respect
in never presenting himself at the club, and in never complaining of the
severe reprobation that was shown him; although he was the handsomest,
the most elegant, and the best dressed man in the place, spent a great
deal of money, and kept a horse,--a thing as amazing at Issoudun as
the horse of Lord Byron at Venice. We are now to see how it was that
Maxence, poor and without apparent means, was able to become the dandy
of the town. The shameful conduct which earned him the contempt of all
scrupulous or religious persons was connected with the interests which
brought Agathe and Joseph to Issoudun.
Judging by the audacity of his bearing, and the expression of his face,
Max cared little for public opinion; he expected, no doubt, to take
his revenge some day, and to lord it over those who now condemned
him. Moreover, if the bourgeoisie of Issoudun thought ill of him, the
admiration he excited among the common people counterbalanced their
opinion; his courage, his dashing appearance, his decision of character,
could not fail to please the masses, to whom his degradations were, for
the most part, unknown, and indeed the bourgeoisie themselves scarcely
suspected its extent. Max played a role at Issoudun which was something
like that of the blacksmith in the “Fair Maid of Perth”; he was the
champion of Bonapartism and the Opposition; they counted upon him as
the burghers of Perth counted upon Smith on great occasions. A single
incident will put this hero and victim of the Hundred-Days into clear
relief.
Public-domain text, read in full here on John Shaqi.
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