Before he abandons us on the moor, the man (at my suggestion) takes our "bearings," as correctly as he can by the help of my pocket-compass. This done, he disappears in the mist, with the bridle hanging loose, and the pony's nose to the ground, as before. I am left, under my young friend's care, with a cloak to lie on, and a saddle for a pillow. Our ponies composedly help themselves to such grass as they can find on the moor; keeping always near us as companionably as if they were a couple of dogs. In this position we wait events, while the dripping mist hangs thicker than ever all round us. The slow minutes follow each other wearily in the majestic silence of the moor. We neither of us acknowledge it in words, but we both feel that hours may pass before the guide discovers us again. The penetrating damp slowly strengthens its clammy hold on me. My companion's pocket-flask of sherry has about a teaspoonful of wine left in the bottom of it. We look at one another--having nothing else to look at in the present state of the weather--and we try to make the best of it. So the slow minutes follow each other, until our watches tell us that forty minutes have elapsed since the guide and his pony vanished from our view. My friend suggests that we may as well try what our voices can do toward proclaiming our situation to any living creature who may, by the barest possibility, be within hearing of us. I leave him to try the experiment, having no strength to spare for vocal efforts of any sort. My companion shouts at the highest pitch of his voice. Silence follows his first attempt. He tries again; and, this time, an answering hail reaches us faintly through the white fog. A fellow-creature of some sort, guide or stranger, is near us--help is coming at last! An interval passes; and voices reach our ears--the voices of two men. Then the shadowy appearance of the two becomes visible in the mist. Then the guide advances near enough to be identified. He is followed by a sturdy fellow in a composite dress, which presents him under the double aspect of a groom and a gardener. The guide speaks a few words of rough sympathy. The composite man stands by impenetrably silent; the sight of a disabled stranger fails entirely either to surprise or to interest the gardener-groom.