The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
Chivers, left alone, appeared to wonder at it, and his wonder,
like that of most old people, lay near his lips. “What does he
want, poor dear, to think about?” This speculation, however, was
immediately checked by a high, clear voice that preceded the appearance
on the stairs, before she had reached the middlemost landing, of the
wonderful figure of a lady, a lady who, with the almost trumpeted
cheer of her peremptory but friendly call--“Housekeeper, Butler, old
Family Servant!”--fairly waked the sleeping echoes. Chivers gazed up
at her in quick remembrance, half dismayed, half dazzled, of a duty
neglected. She appeared now; she shone at him out of the upper dusk;
reaching the middle, she had begun to descend, with beautiful laughter
and rustling garments; and though she was alone she gave him the sense
of coming in a crowd and with music. “Oh, I should have told him of
_her_!”
III
She was indeed an apparition, a presence requiring announcement and
explanation just in the degree in which it seemed to show itself in a
relation quite of its own to all social preliminaries. It evidently
either assumed them to be already over or wished to forestall them
altogether; what was clear at any rate was that it allowed them scant
existence. She was young, tall, radiant, lovely, and dressed in a
manner determined at once, obviously, by the fact and by the humour
of her journey--it might have proclaimed her so a pilgrim or so set
her up as a priestess. Most journeys, for this lady, at all events,
were clearly a brush of Paris. “Did you think I had got snapped down
in an old box like that poor girl--what’s her name? the one who was
poking round too--in the celebrated poem? You dear, delightful man, why
didn’t you tell me?”
“Tell you, mum----?”
“Well, that you’re so perfectly--perfect! You’re ever so much
better than anyone has ever said. Why, in the name of common sense, has
nobody ever said _anything_? You’re everything in the world you ought
to be, and not the shade of a shade of anything you oughtn’t!”
It was a higher character to be turned out with than poor Chivers had
ever dreamed. “Well, mum, I try!” he gaped.
“Oh, no, you don’t--that’s just your charm! _I_ try,” cried his
friend, “but you do nothing: here you simply _are_--you can’t help
it!”
He stood overwhelmed. “Me, mum?”
She took him in at the eyes--she could take everything at once. “Yes,
you too, you positive old picture! I’ve seen the old masters--but
you’re the old master!”
“The master--I?” He fairly fell back.
“‘The good and faithful servant’--Rembrandt van Rhyn: with
three stars. _That’s_ what you are!” Nothing would have been more
droll to a spectator than her manner of meeting his humbleness, or more
charming indeed than the practical sweetness of her want of imagination
of it. “The house is a vision of beauty, and you’re simply worthy
of the house. I can’t say more for you!”
Public-domain text, read in full here on John Shaqi.
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