The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
“Do you mean that of mistress of the house? Yes--you do seem in
possession!”
“_You_ don’t!” she honestly answered; after which, as to
attenuate a little the rigour of the charge: “You don’t comfortably
look it, I mean. You don’t look”--she was very serious--“as I
want you to.”
It was when she was most serious that she was funniest. “How do you
‘want’ me to look?”
She endeavoured, while he watched her, to make up her mind, but seemed
only, after an instant, to recognise a difficulty. “When you look
at _me_, you’re all right!” she sighed. It was an obstacle to her
lesson, and she cast her eyes about. “Look at that chimneypiece.”
“Well----?” he inquired as his eyes came back from it.
“You mean to say it isn’t lovely?”
He returned to it without passion--gave a vivid sign of mere
disability. “I’m sure I don’t know. I don’t mean to say
anything. I’m a rank outsider.”
It had an instant effect on her--she almost pounced upon him. “Then
you must let me put you up!”
“Up to what?”
“Up to everything!”--his levity added to her earnestness. “You
were smoking when you came in,” she said as she glanced
about. “Where’s your cigarette?”
The young man appreciatively produced another. “I thought perhaps I
mightn’t--here.”
“You may everywhere.”
He bent his head to the information. “Everywhere.”
She laughed at his docility, yet could only wish to presume upon
it. “It’s a rule of the house!”
He took in the place with greater pleasure. “What delightful
rules!”
“How could such a house have any others?”--she was already
launched again in her brave relation to it. “I _may_ go up just once
more--mayn’t I--to the long gallery?”
How could he tell? “The long gallery?”
With an added glow she remembered. “I forgot you’ve never seen
it. Why, it’s the leading thing about you!” She was full, on the
spot, of the pride of showing it. “Come right up!”
Clement Yule, half seated on a table from which his long left leg
nervously swung, only looked at her and smiled and smoked. “There’s
a party up.”
She remembered afresh. “So _we_ must be the party down? Well, you
must give me a chance. That long gallery’s the principal thing I came
over for.”
She was strangest of all when she explained. “Where in heaven’s
name did you come over from?”
“Missoura Top, where I’m building--just in this style. I came for
plans and ideas,” Mrs. Gracedew serenely pursued. “I felt I must
look right _at_ you.”
“But what did you know about us?”
She kept it a moment as if it were too good to give him all at
once. “Everything!”
He seemed indeed almost afraid to touch it. “At ‘Missoura
Top’?”
“Why not? It’s a growing place--forty thousand the last census.”
She hesitated; then as if her warrant should be slightly more personal:
“My husband left it to me.”
The young man presently changed his posture. “You’re a widow?”
Public-domain text, read in full here on John Shaqi.
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