The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
I find that I really hang back; but I must take my plunge. In going
on with the record of what was hideous at Bly, I not only challenge
the most liberal faith--for which I little care; but--and this is
another matter--I renew what I myself suffered, I again push my way
through it to the end. There came suddenly an hour after which, as
I look back, the affair seems to me to have been all pure suffering;
but I have at least reached the heart of it, and the straightest road
out is doubtless to advance. One evening--with nothing to lead up
or to prepare it--I felt the cold touch of the impression that had
breathed on me the night of my arrival and which, much lighter then,
as I have mentioned, I should probably have made little of in memory
had my subsequent sojourn been less agitated. I had not gone to bed;
I sat reading by a couple of candles. There was a roomful of old books
at Bly--last-century fiction, some of it, which, to the extent of a
distinctly deprecated renown, but never to so much as that of a stray
specimen, had reached the sequestered home and appealed to the unavowed
curiosity of my youth. I remember that the book I had in my hand was
Fielding’s _Amelia_; also that I was wholly awake. I recall further
both a general conviction that it was horribly late and a particular
objection to looking at my watch. I figure, finally, that the white
curtain draping, in the fashion of those days, the head of Flora’s
little bed, shrouded, as I had assured myself long before, the
perfection of childish rest. I recollect in short that, though I was
deeply interested in my author, I found myself, at the turn of a page
and with his spell all scattered, looking straight up from him and hard
at the door of my room. There was a moment during which I listened,
reminded of the faint sense I had had, the first night, of there being
something undefineably astir in the house, and noted the soft breath of
the open casement just move the half-drawn blind. Then, with all the
marks of a deliberation that must have seemed magnificent had there
been anyone to admire it, I laid down my book, rose to my feet, and,
taking a candle, went straight out of the room and, from the passage,
on which my light made little impression, noiselessly closed and locked
the door.
Public-domain text, read in full here on John Shaqi.
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