The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
I can say now neither what determined nor what guided me, but I
went straight along the lobby, holding my candle high, till I came
within sight of the tall window that presided over the great turn
of the staircase. At this point I precipitately found myself aware
of three things. They were practically simultaneous, yet they had
flashes of succession. My candle, under a bold flourish, went out,
and I perceived, by the uncovered window, that the yielding dusk of
earliest morning rendered it unnecessary. Without it, the next instant,
I saw that there was someone on the stair. I speak of sequences, but I
required no lapse of seconds to stiffen myself for a third encounter
with Quint. The apparition had reached the landing half-way up and
was therefore on the spot nearest the window, where at sight of me,
it stopped short and fixed me exactly as it had fixed me from the tower
and from the garden. He knew me as well as I knew him; and so, in the
cold, faint twilight, with a glimmer in the high glass and another on
the polish of the oak stair below, we faced each other in our common
intensity. He was absolutely, on this occasion, a living, detestable,
dangerous presence. But that was not the wonder of wonders; I reserve
this distinction for quite another circumstance: the circumstance that
dread had unmistakeably quitted me and that there was nothing in me
there that didn’t meet and measure him.
I had plenty of anguish after that extraordinary moment, but I had,
thank God, no terror. And he knew I had not--I found myself at the end
of an instant magnificently aware of this. I felt, in a fierce rigour
of confidence, that if I stood my ground a minute I should cease--for
the time, at least--to have him to reckon with; and during the minute,
accordingly, the thing was as human and hideous as a real interview:
hideous just because it _was_ human, as human as to have met alone,
in the small hours, in a sleeping house, some enemy, some adventurer,
some criminal. It was the dead silence of our long gaze at such close
quarters that gave the whole horror, huge as it was, its only note of
the unnatural. If I had met a murderer in such a place and at such
an hour, we still at least would have spoken. Something would have
passed, in life, between us; if nothing had passed one of us would have
moved. The moment was so prolonged that it would have taken but little
more to make me doubt if even _I_ were in life. I can’t express what
followed it save by saying that the silence itself--which was indeed in
a manner an attestation of my strength--became the element into which I
saw the figure disappear; in which I definitely saw it turn as I might
have seen the low wretch to which it had once belonged turn on receipt
of an order, and pass, with my eyes on the villainous back that no
hunch could have more disfigured, straight down the staircase and into
the darkness in which the next bend was lost.
X
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account