The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
How can I retrace today the strange steps of my obsession? There were
times of our being together when I would have been ready to swear that,
literally, in my presence, but with my direct sense of it closed,
they had visitors who were known and were welcome. Then it was that,
had I not been deterred by the very chance that such an injury might
prove greater than the injury to be averted, my exultation would have
broken out. “They’re here, they’re here, you little wretches,”
I would have cried, “and you can’t deny it now!” The little
wretches denied it with all the added volume of their sociability
and their tenderness, in just the crystal depths of which--like the
flash of a fish in a stream--the mockery of their advantage peeped
up. The shock, in truth, had sunk into me still deeper than I knew on
the night when, looking out to see either Quint or Miss Jessel under
the stars, I had beheld the boy over whose rest I watched and who had
immediately brought in with him--had straightway, there, turned it on
me--the lovely upward look with which, from the battlements above me,
the hideous apparition of Quint had played. If it was a question of a
scare, my discovery on this occasion had scared me more than any other,
and it was in the condition of nerves produced by it that I made my
actual inductions. They harassed me so that sometimes, at odd moments,
I shut myself up audibly to rehearse--it was at once a fantastic relief
and a renewed despair--the manner in which I might come to the point. I
approached it from one side and the other while, in my room, I flung
myself about, but I always broke down in the monstrous utterance of
names. As they died away on my lips, I said to myself that I should
indeed help them to represent something infamous if, by pronouncing
them, I should violate as rare a little case of instinctive delicacy
as any schoolroom, probably, had ever known. When I said to myself:
“_They_ have the manners to be silent, and you, trusted as you are,
the baseness to speak!” I felt myself crimson and I covered my face
with my hands. After these secret scenes I chattered more than ever,
going on volubly enough till one of our prodigious, palpable hushes
occurred--I can call them nothing else--the strange, dizzy lift or
swim (I try for terms!) into a stillness, a pause of all life, that
had nothing to do with the more or less noise that at the moment we
might be engaged in making and that I could hear through any deepened
exhilaration or quickened recitation or louder strum of the piano. Then
it was that the others, the outsiders, were there. Though they were not
angels, they “passed,” as the French, say, causing me, while they
stayed, to tremble with the fear of their addressing to their younger
victims some yet more infernal message or more vivid image than they
had thought good enough for myself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account