The Two Magics: The Turn of the Screw, Covering EndJames, Henry
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The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
Walking to church a certain Sunday morning, I had little Miles at my
side and his sister, in advance of us and at Mrs. Grose’s, well in
sight. It was a crisp, clear day, the first of its order for some
time; the night had brought a touch of frost, and the autumn air,
bright and sharp, made the church-bells almost gay. It was an odd
accident of thought that I should have happened at such a moment to
be particularly and very gratefully struck with the obedience of my
little charges. Why did they never resent my inexorable, my perpetual
society? Something or other had brought nearer home to me that I had
all but pinned the boy to my shawl and that, in the way our companions
were marshalled before me, I might have appeared to provide against
some danger of rebellion. I was like a gaoler with an eye to possible
surprises and escapes. But all this belonged--I mean their magnificent
little surrender--just to the special array of the facts that were most
abysmal. Turned out for Sunday by his uncle’s tailor, who had had
a free hand and a notion of pretty waistcoats and of his grand little
air, Miles’s whole title to independence, the rights of his sex and
situation, were so stamped upon him that if he had suddenly struck
for freedom I should have had nothing to say. I was by the strangest
of chances wondering how I should meet him when the revolution
unmistakeably occurred. I call it a revolution because I now see how,
with the word he spoke, the curtain rose on the last act of my dreadful
drama and the catastrophe was precipitated. “Look here, my dear, you
know,” he charmingly said, “when in the world, please, am I going
back to school?”
Transcribed here the speech sounds harmless enough, particularly
as uttered in the sweet, high, casual pipe with which, at all
interlocutors, but above all at his eternal governess, he threw off
intonations as if he were tossing roses. There was something in them
that always made one “catch” and I caught, at any rate, now so
effectually that I stopped as short as if one of the trees of the
park had fallen across the road. There was something new, on the spot,
between us, and he was perfectly aware that I recognised it, though,
to enable me to do so, he had no need to look a whit less candid and
charming than usual. I could feel in him how he already, from my
at first finding nothing to reply, perceived the advantage he had
gained. I was so slow to find anything that he had plenty of time,
after a minute, to continue with his suggestive but inconclusive
smile: “You know, my dear, that for a fellow to be with a lady
_always_----!” His “my dear” was constantly on his lips for me,
and nothing could have expressed more the exact shade of the sentiment
with which I desired to inspire my pupils than its fond familiarity. It
was so respectfully easy.
Public-domain text, read in full here on John Shaqi.
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