The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
Seated at my own table in clear noonday light I saw a person whom,
without my previous experience, I should have taken at the first
blush for some housemaid who might have stayed at home to look
after the place and who, availing herself of rare relief from
observation and of the schoolroom table and my pens, ink, and paper,
had applied herself to the considerable effort of a letter to her
sweetheart. There was an effort in the way that, while her arms rested
on the table, her hands with evident weariness supported her head;
but at the moment I took this in I had already become aware that,
in spite of my entrance, her attitude strangely persisted. Then it
was--with the very act of its announcing itself--that her identity
flared up in a change of posture. She rose, not as if she had heard
me, but with an indescribable grand melancholy of indifference and
detachment, and, within a dozen feet of me, stood there as my vile
predecessor. Dishonoured and tragic, she was all before me; but even as
I fixed and, for memory, secured it, the awful image passed away. Dark
as midnight in her black dress, her haggard beauty and her unutterable
woe, she had looked at me long enough to appear to say that her right
to sit at my table was as good as mine to sit at hers. While these
instants lasted indeed I had the extraordinary chill of a feeling that
it was I who was the intruder. It was as a wild protest against it
that, actually addressing her--“You terrible, miserable woman!”--I
heard myself break into a sound that, by the open door, rang through
the long passage and the empty house. She looked at me as if she heard
me, but I had recovered myself and cleared the air. There was nothing
in the room the next minute but the sunshine and a sense that I must
stay.
XVI
I had so perfectly expected that the return of my pupils would be
marked by a demonstration that I was freshly upset at having to
take into account that they were dumb about my absence. Instead of
gaily denouncing and caressing me, they made no allusion to my having
failed them, and I was left, for the time, on perceiving that she too
said nothing, to study Mrs. Grose’s odd face. I did this to such
purpose that I made sure they had in some way bribed her to silence;
a silence that, however, I would engage to break down on the first
private opportunity. This opportunity came before tea: I secured five
minutes with her in the housekeeper’s room, where, in the twilight,
amid a smell of lately-baked bread, but with the place all swept and
garnished, I found her sitting in pained placidity before the fire. So
I see her still, so I see her best: facing the flame from her straight
chair in the dusky, shining room, a large clean image of the “put
away”--of drawers closed and locked and rest without a remedy.
“Oh, yes, they asked me to say nothing; and to please them--so long
as they were there--of course I promised. But what had happened to
you?”
Public-domain text, read in full here on John Shaqi.
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