The Two Magics: The Turn of the Screw, Covering EndJames, Henry
General
The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
to be sure, Miss! Where on earth do you see anything?”
I could only grasp her more quickly yet, for even while she spoke the
hideous plain presence stood undimmed and undaunted. It had already
lasted a minute, and it lasted while I continued, seizing my colleague,
quite thrusting her at it and presenting her to it, to insist with my
pointing hand. “You don’t see her exactly as _we_ see?--you mean
to say you don’t now--_now_? She’s as big as a blazing fire! Only
look, dearest woman, _look_----!” She looked, even as I did, and
gave me, with her deep groan of negation, repulsion, compassion--the
mixture with her pity of her relief at her exemption--a sense, touching
to me even then, that she would have backed me up if she could. I might
well have needed that, for with this hard blow of the proof that her
eyes were hopelessly sealed I felt my own situation horribly crumble,
I felt--I saw--my livid predecessor press, from her position, on my
defeat, and I was conscious, more than all, of what I should have
from this instant to deal with in the astounding little attitude
of Flora. Into this attitude Mrs. Grose immediately and violently
entered, breaking, even while there pierced through my sense of ruin a
prodigious private triumph, into breathless reassurance.
“She isn’t there, little lady, and nobody’s there--and you
never see nothing, my sweet! How can poor Miss Jessel--when poor Miss
Jessel’s dead and buried? _We_ know, don’t we, love?”--and she
appealed, blundering in, to the child. “It’s all a mere mistake and
a worry and a joke--and we’ll go home as fast as we can!”
Our companion, on this, had responded with a strange, quick primness
of propriety, and they were again, with Mrs. Grose on her feet, united,
as it were, in pained opposition to me. Flora continued to fix me with
her small mask of reprobation, and even at that minute I prayed God to
forgive me for seeming to see that, as she stood there holding tight
to our friend’s dress, her incomparable childish beauty had suddenly
failed, had quite vanished. I’ve said it already--she was literally,
she was hideously, hard; she had turned common and almost ugly. “I
don’t know what you mean. I see nobody. I see nothing. I never
_have_. I think you’re cruel. I don’t like you!” Then, after
this deliverance, which might have been that of a vulgarly pert little
girl in the street, she hugged Mrs. Grose more closely and buried in
her skirts the dreadful little face. In this position she produced an
almost furious wail. “Take me away, take me away--oh, take me away
from _her_!”
“From _me_?” I panted.
“From you--from you!” she cried.
Public-domain text, read in full here on John Shaqi.
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