The Two Magics: The Turn of the Screw, Covering EndJames, Henry
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The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
My sternness was all for his judge, his executioner; yet it made him
avert himself again, and that movement made _me_, with a single bound
and an irrepressible cry, spring straight upon him. For there again,
against the glass, as if to blight his confession and stay his answer,
was the hideous author of our woe--the white face of damnation. I
felt a sick swim at the drop of my victory and all the return of my
battle, so that the wildness of my veritable leap only served as a
great betrayal. I saw him, from the midst of my act, meet it with
a divination, and on the perception that even now he only guessed,
and that the window was still to his own eyes free, I let the impulse
flame up to convert the climax of his dismay into the very proof of his
liberation. “No more, no more, no more!” I shrieked, as I tried to
press him against me, to my visitant.
“Is she _here_?” Miles panted as he caught with his sealed eyes the
direction of my words. Then as his strange “she” staggered me and,
with a gasp, I echoed it, “Miss Jessel, Miss Jessel!” he with a
sudden fury gave me back.
I seized, stupefied, his supposition--some sequel to what we had
done to Flora, but this made me only want to show him that it was
better still than that. “It’s not Miss Jessel! But it’s at the
window--straight before us. It’s _there_--the coward horror, there
for the last time!”
At this, after a second in which his head made the movement of
a baffled dog’s on a scent and then gave a frantic little shake
for air and light, he was at me in a white rage, bewildered, glaring
vainly over the place and missing wholly, though it now, to my sense,
filled the room like the taste of poison, the wide, overwhelming
presence. “It’s _he_?”
I was so determined to have all my proof that I flashed into ice to
challenge him. “Whom do you mean by ‘he’?”
“Peter Quint--you devil!” His face gave again, round the room, its
convulsed supplication. “_Where?_”
They are in my ears still, his supreme surrender of the name and his
tribute to my devotion. “What does he matter now, my own?--what will
he _ever_ matter? _I_ have you,” I launched at the beast, “but
he has lost you for ever!” Then, for the demonstration of my work,
“There, _there_!” I said to Miles.
But he had already jerked straight round, stared, glared again, and
seen but the quiet day. With the stroke of the loss I was so proud of
he uttered the cry of a creature hurled over an abyss, and the grasp
with which I recovered him might have been that of catching him in his
fall. I caught him, yes, I held him--it may be imagined with what a
passion; but at the end of a minute I began to feel what it truly was
that I held. We were alone with the quiet day, and his little heart,
dispossessed, had stopped.
COVERING END
I
Public-domain text, read in full here on John Shaqi.
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