I might expatiate all night--if you would sit and hear me--on the
treatment of such required subject, or introduction of pleasant caprice
by the old workmen; but we have no more time to spare, and I must quit
this part of our subject--the rather as I could not explain to you the
intrinsic merit of such ironwork without going fully into the theory of
curvilinear design; only let me leave with you this one distinct
assertion--that the quaint beauty and character of many natural
objects, such as intricate branches, grass, foliage (especially thorny
branches and prickly foliage), as well as that of many animals, plumed,
spined, or bristled, is sculpturally expressible in iron only, and in
iron would be majestic and impressive in the highest degree; and that
every piece of metal work you use might be, rightly treated, not only a
superb decoration, but a most valuable abstract of portions of natural
forms, holding in dignity precisely the same relation to the painted
representation of plants, that a statue does to the painted form of
man. It is difficult to give you an idea of the grace and interest
which the simplest objects possess when their forms are thus abstracted
from among the surrounding of rich circumstance which in nature
disturbs the feebleness of our attention. In Plate 2, a few blades of
common green grass, and a wild leaf or two--just as they were thrown by
nature,--are thus abstracted from the associated redundance of the
forms about them, and shown on a dark ground: every cluster of herbage
would furnish fifty such groups, and every such group would work into
iron (fitting it, of course, rightly to its service) with perfect ease,
and endless grandeur of result.
III. IRON in POLICY.--Having thus obtained some idea of the use of iron
in art, as dependent on its ductility, I need not, certainly, say
anything of its uses in manufacture and commerce; we all of us know
enough,--perhaps a little too much--about _them_. So I pass lastly
to consider its uses in policy; dependent chiefly upon its tenacity--
that is to say, on its power of bearing a pull, and receiving an edge.
These powers, which enable it to pierce, to bind, and to smite, render
it fit for the three great instruments, by which its political action
may be simply typified; namely, the Plough, the Fetter, and the Sword.
On our understanding the right use of these three instruments, depend,
of course, all our power as a nation, and all our happiness as
individuals.
Public-domain text, read in full here on John Shaqi.
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