The Two Sides of the ShieldYonge, Charlotte M. (Charlotte Mary)
General
The Two Sides of the Shield
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
She did her part, too, in the little play, being one of the chorus
of the maidens who ‘make a vow to make a row.’ Lady Merrifield had,
according to the general request, saved disputes by casting the parts,
Gillian being the sage old woman who brought the damsels to reason. Fly,
the prime mover of the tumult, and Mysie, her confidante, while Val and
Dolly made up the mob. A little manipulation of skirts, tennis-aprons,
ribbons, and caps made very nice peasant costumes. Hal was the
self-important Bailli, and Jasper the drummer, the part of gens-d’armes
being all that Wilfred and Fergus could be trusted with.
Lord Rotherwood came back, and his little daughter’s ecstacy was goodly
to see, as she danced about her daddy, almost bursting with the secret
of what he was to see after dinner, and showing herself so brilliantly
well and happy that he congratulated himself upon her mother’s
satisfaction.
While the elders were at dinner, Gillian, with Miss Vincent’s help,
finished off the arrangements. There were no outsiders, except the Vicar
and Mr. Pollock who had been asked to dinner, for Lady Merrifield said
she never liked to make her children an exhibition.
‘You are an old-fashioned Lily,’ said her cousin, ‘and happily not
concerned with popularity. It is a fine thing to be able to consult
one’s children’s absolute best.’
The performance went off beautifully--at least so thought both actors
and spectators. The dignity of the Bailli and the meddling of the
drummer were alike delightful; Fly was charmingly arch and mutinous;
Mysie very straightforward; and the least successful personation was
that of Gillian, who had a fit of stage-fright, forgot sentences, and
whirred her spinning-wheel nervously, all the worse for being scolded by
her brothers behind the scenes, and assured that she was making a mull
of the whole affair. And she had been so spirited at the rehearsals,
but she was at a self-conscious age, and could not forget the four
spectators. Very little was required of Dolores, but that little she
did simply and well, and Lord Rotherwood, after watching her all the
evening, observed to Lady Merrifield, ‘I should say your difficulties
were diminishing, are they not? The thunder-cloud seems to be a little
lightened.’
‘I am so glad you think so, Rotherwood. I feel sure that all this
distress has drawn her nearer to us, only Regie won’t believe it.’
‘Regie is prejudiced.’
‘Is he? I thought him specially fond of Maurice’s child, and that this
was revulsion of feeling; but what I am afraid of is, that he will never
believe in her or like her again, whatever she may be, and she is really
fond of him.’
‘Yes, Reginald is not over disposed to believe in any woman’s
truth--outside his own family and sisters. Poor fellow! I can’t say he
was well used.’
‘What? I suppose he has bad his romance like other people--his little
episode, as my husband calls it.’
Public-domain text, read in full here on John Shaqi.
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